“その想い、過剰摂取につき。”
1989年。トレーニングジムで働くルーは、自分の夢をかなえるためラスベガスへ向かう野心家のボディビルダー、ジャッキーと運命的な出会いを果たし恋に落ちる。しかしルーは、街の裏社会を仕切り凶悪な犯罪を繰り返す父親や、夫からDVを受けている姉など、家族にさまざまな問題を抱えていた。そんなルーをかばおうとするジャッキーは、思いもよらない犯罪網へと引きずりこまれていく。
AIが作品の魅力を深く読み解いています
製作費: $10,000,000 (15億円)
興行収入: $12,778,225 (19億円)
推定収支: $2,778,225 (4億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Rose Glass
脚本: Rose Glass / Weronika Tofilska
音楽: クリント・マンセル
制作: Oliver Kassman / Andrea Cornwell / ダニエル・バトセク
撮影監督: Ben Fordesman
制作会社: Film4 Productions / Escape Plan / A24 / Lobo Films
There are few things worse in films than when a film tries too hard to be edgy. This fools some of the people some of the time. But...it also shows that the emperor really does have no clothes. Kristen Stewart plays Lou, a gym worker who develops a crush on a female bodybuilder named Jackie. They begin a sexual relationship. Lou's father, played by Ed Harris is the town thug, and her sister is repeatedly abused by her creepy brother-in-law JJ (Dave Franco). Violence erupts and soon everyone is scrambling to cover up a murder. The film starts out interesting enough as it builds the characters. By the second half it has begun spiraling as it shifts between so many tones that you don't know which ones to move with. A lot of unintentional laughs and head scratching get more frequent. By the end it is all out terrible. Another serious problem is the way they treat abuse victims. The very people who are defending her...later in the movie are beating her. This is our hero? Kristen Stewart is a good actress, but Ed Harris is by far the best thing in the movie. The problem is that none of the characters become well fleshed out. None of them are worth hoping for. I don't need my characters I watch to be pleasant, but they need to show some kind of attributes that make them worth following from start until finish.
"Lou" (Kristen Stewart) runs a gym on the basis of being as obnoxious to the customers (mostly brain-dead males) as she can until one night she espies a new visitor. She assumes that "Jackie" (Katy O'Brian) has gone off with the boys for a beer, but a chance encounter afterwards in the car park makes it clear they are both on the same team. We (the audience) have met "Jackie" already and know she's looking for work. That comes via "JJ" (Dave Franco) who takes her to the shooting range owned by the long haired and hippy looking Ed Harris who gives her a job as a waitress. Quickly we discover that "JJ" is married to "Beth" (Jena Malone) who is the sister of "Lou" and both are the daughters of Ed Harris. "Lou", though, is a bit estranged from him and as the plot thickens we discover why. Also, we discover that "JJ" is a bit of a thug and prone to beating up his wife. A trip to the hospital for her causes tempers to flare, and pumped full of steroids, it's the increasingly unstable "Jackie" who sets things in motion that are going to bring to an head a decade of family tensions, put lives at risk and even drag in the FBI. Aside from the same sex angle, there is nothing new at all to this half-hearted relationship drama that contrives to introduce just about everything to go wrong that can and in the end seems to be trying more to parody "The Incredible Hulk" than make headway with anything different. The denouement is weak and surreal on just about every level, too. Just because Rose Glass decides to feature loads of turbulent female bonding and making out doesn't make this worth watching. It just looks like a self indulgent and proud statement of sexuality for the sake of it, regardless of the strength or brutality of the story. People have been making characterful lesbian films in Europe for a century or more, this isn't remotely revelatory. Dark humour? Hmmm - must have missed that bit.
I absolutely adored the bold and audacious “Love Lies Bleeding,” director Rose Glass’ sordid story of romance, violence, and redemption. Combining a lesbian love story with a brawny thriller, this gritty, bloody, and brash film was one of my favorites to come out of this year’s Sundance Film Festival. Lou (Kristen Stewart), a reclusive gym worker who spends her days mopping floors, unclogging toilets, and laminating membership cards, is barely surviving her small-town existence. Her world transforms in an instant when the transient bodybuilder Jackie (Katy O’Brian) crosses her path. Lou falls hard for those rock hard muscles, and she invites Jackie to move in with her. Ambitious to a fault, Jackie begins training for a competition in Las Vegas (and starts injecting steroids at the encouragement of Lou). The plan is for the two to take an epic road trip out West, but a startling act of violence involving Lou’s sister (Jena Malone) and brother-in-law (Dave Franco) changes everything. The truth about Lou’s criminal family is revealed, further complicating not only her romance with Jackie, but pulling both women into a web of absolute mayhem. Glass has created a film with a deliciously pulpy, crime thriller vibe. Her bold and distinctive style is reflected with a voice that practically screams with an underlying rage and intensity (and one of the best uses of magical realism I’ve ever seen in a movie). Lou and Jackie are flawed people, but you just can’t help rooting for their relationship. They are capable and guilty of some very, very bad things, but goddamn if these two aren’t meant for each other with their explosive love story for the ages. Stewart and O’Brian deliver stunning performances, embodying their characters with a ferocious spirit that reflects the lust and desire of their tumultuous relationship. Their chemistry is palpable and intense, which lends an additional layer of authenticity to the story. The supporting cast is nothing short of terrific too, with effective turns from Anna Baryshnikov, Ed Harris, Franco, and Malone. Passionate and provocative, “Love Lies Bleeding” is the type of film that gets under your skin. Beneath the violence and revenge, it’s a queer love story that’s hopelessly and breathlessly romantic. By: Louisa Moore / SCREEN ZEALOTS
