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Jungle 2 Jungle
Jungle 2 Jungle

Jungle 2 Jungle

19971h 45m★ 5.3コメディファミリー

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

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興行成績

製作費: $32,000,000 (48億円)

興行収入: $59,927,618 (90億円)

推定収支: $27,927,618 (42億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ティム・アレン
ティム・アレン
Michael Cromwell
マーティン・ショート
マーティン・ショート
Richard Kempster
JoBeth Williams
JoBeth Williams
Dr. Patricia Cromwell
Lolita Davidovich
Lolita Davidovich
Charlotte
Sam Huntington
Sam Huntington
Mimi-Siku
デイヴィッド・オグデン・ステアーズ
デイヴィッド・オグデン・ステアーズ
Alexei Jovanovic
Bob Dishy
Bob Dishy
George Langston
Valerie Mahaffey
Valerie Mahaffey
Jan Kempster
Leelee Sobieski
Leelee Sobieski
Karen Kempster
No Image
Frankie J. Galasso
Andrew Kempster

スタッフ・制作会社

監督: John Pasquin

脚本: ブルース・A・エバンス / Raynold Gideon / Hervé Palud

音楽: Michael Convertino

制作: Brian Reilly / Brad Krevoy / Richard Baker

撮影監督: Tony Pierce-Roberts

制作会社: Walt Disney Pictures / TF1 Films Production / Motion Picture Corporation of America

TMDB ユーザーのレビュー

r96sk
r96sk
★ 6

Everything about this is very meh. I can't say there is anything about <em>'Jungle 2 Jungle'</em> that I liked or enjoyed, I don't think it is anything overtly terrible but it's just so boring. None of the cast are memorable, the plot is lazy and the pacing is well off. It does attempt heart, though it doesn't hit all that sharply. The performances of Tim Allen (Michael) and Martin Short (Richard) - though not good - at least keep the film away from the depths of awful. I also think Sam Huntington (Mimi) is alright in this. There's also an appearance from Jumba Jookiba himself, David Ogden Stiers. All in all, It's just a very basic and plain live-action production from Disney. The stereotypical 'jokes' don't help its cause, either.

Filipe Manuel Neto
Filipe Manuel Neto
★ 3

**Absolutely ordinary, within the standard of any light family comedy of the late 90's. Maybe that's why it ended up forgotten.** This is another one of those endearing family films from the 90's that made their way to the small screen, and disappeared completely once they left the TV channels. It is a film that I believe very few will remember. I saw it at the time, I forgot about it, and I only remembered it again when I found it by chance, and I decided to see it again, these days. The script is as predictable and cliché as it can be, but it retains some elements that don't let us hate it, namely the sympathetic way in which it approaches us and tries to create a family story, a light comedy about maladjustment, where a boy born and raised in the Venezuelan jungle ends up traveling to New York, the birthplace of his recently discovered biological father. There are some subplots in the middle, necessary for the film to have more support, because the main plot is too thin to stand on its own. Thus comes the whole business of trading coffee futures with mobsters, or that obnoxious character who is the boy's father's future bride. There are still some scenes, obviously demonstrating the boy's inadaptation to the city and urban society. The film is far from being good, and it shouldn't have left any special good memory in the minds of anyone involved in the project. However, it has a terrible comic exercise by Tim Allen, who is the main actor and the protagonist of the entire plot. He overacts, he's ham, he tries to be minimally funny. He doesn't always succeed, but the effort is there. Martin Short isn't better, he's just dumber, but these movies need the protagonist to have an idiot sidekick to do something even more stupid than he would do without him. Sam Huntington was a casting error. He may even be the son of two Caucasians, but he would fatally be very tanned in the equatorial climate where he was born, and the young actor is white as milk. His romance with Leelee Sobiesky, while having all the usual touches of a teenager's first crush, doesn't quite convince us. Technically, the film is absolutely regular. As regular as a light-hearted late 1990s family comic film can be. The cinematography, the sets, the costumes (even the ones in the jungle, where the Indian women were asked to cover up tribal nudity), everything is absolutely and perfectly ordinary and does not bring us surprises.

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