“美女ばかりを狙い、収集するかのように監禁する、“コレクター”のような異常誘拐犯と、Ｍ・フリーマン演じるクロス刑事の息詰まる死闘を描いた、迫真のサイコサスペンス！”
ワシントンDCの警察で刑事をしながら犯罪心理学を研究するクロスは、ノースカロライナで姪ナオミが何者かに誘拐されたと聞き現地へ。実は同地では8人の女子大生が次々に誘拐され、そのうち3人は遺体になって見つかっていた。犠牲者3人の誘拐された順序が殺された順序と異なることから、犯人の目的が殺人ではないと主張するクロス。やがて9番目に誘拐され、犯人のアジトから脱出した外科医ケイトからクロスは手掛かりを得る。
製作費: $27,000,000 (41億円)
興行収入: $60,527,873 (91億円)
推定収支: $33,527,873 (50億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ゲイリー・フレダー
脚本: David Klass / ジェイムズ・パタースン
音楽: マーク・アイシャム
制作: デイヴィッド・ブラウン / Joe Wizan / C.O. Erickson
撮影監督: アーロン・シュナイダー
制作会社: Paramount Pictures / Rysher Entertainment / David Brown Productions
_**Starts good and becomes increasingly farfetched**_ A serial killer is loose in Durham, North Carolina, who’s actually a serial collector of young women. Forensic psychologist Alex Cross (Morgan Freeman) ventures down from D.C. to assist in the investigation since his niece is one of the victims. He eventually teams-up with a surgeon who escaped the perpetrator’s lair (Ashley Judd). Cary Elwes and Tony Goldwyn are also on hand. “Kiss the Girls” (1997) is a detective thriller in the mold of “Silence of the Lambs” (1991) with some “Se7en” (1995) and a dash of “Scream” (1996), but less gruesome and therefore presumably more palatable to a larger audience. What I appreciate most about this flick is the lush nighttime sylvan cinematography. The cast is good as well. The first half is great for this genre, but the story gets progressively implausible from there with a muddled midsection. And then there’s the ‘big reveal’ at the end, which was predictable from the get-go. At the end of the day “Kiss the Girls” is worthwhile if you like detective thrillers and the cast, but be prepared for a wildly unrealistic tale. The sequel, “Along Came a Spider” (2001), had the same problem where the ‘big reveal’ is even more eye-rolling. The film runs 1 hour, 55 minutes, and was shot in North Carolina and Southern Cal. GRADE: C
Morgan Freeman is quite effective here in this adaptation of James Patterson's novel about the kidnap of the niece of this police psychologist/detective. Racing to her North Carolina school, "Cross" discovers pretty quickly that she is likely to be the latest in a line of youngsters abused and killed at the hands of the so-called "Casanova"! Fortunately, one of his would be victims - "Kate" (Ashley Judd) - manages to escape her captivity, and with "Cross" and time very much against them, tries to track down this murderer. It stays fairly faithful to the book and that's maybe why it doesn't quite work. The narrative is really rather dry, the dialogue all a bit too wordy and though the subject matter is quite disturbing, there isn't a great deal of menace on show for us here. "Cross" is just too clever; the clues too obscure for us but childsplay for him, and after a while that starts to grate a little. The best examples of this genre allow the audience to participate in the manhunt along with the characters. Not so much here. Freeman owns the screen, as usual, and Judd is perfectly acceptable as his feisty and determined sidekick as we head to a denouement that has just enough jeopardy to keep it interesting. There are loads of "Alex Cross" books, so I would expect more from this character - I hope this is but a bedrock for a darker and more complex sequel.
Not that bad of a movie. Gets involved in a sex ring. Alex Cross has to figure out if she a victim or a participant.
Watched this one again last night and still holds up as a solid 1990s crime-thriller based on the James Patterson novel with a great cast headlined by Morgan Freeman and Ashley Judd as well as Cary Elwes, Tony Goldwyn, Brian Cox, Jay O. Sanders and Jeremy Piven. **3.75/5**
Ashley Judd stood out with her strong performance, balancing vulnerability and determination really well. Morgan Freeman was great too, his calm, confident presence fits perfectly in roles like this, and he definitely carried a lot of the movie’s weight. On the other hand, William Converse-Roberts, who played Dr. Wick Sachs wasn’t very convincing. For a character tied to such a disturbing element of the story, his performance lacked the intensity or depth needed to make it truly impactful. It felt like a missed opportunity to add more tension to the scene. That said, the movie overall was cool. It had a solid pace, good production values, and kept me engaged throughout. While it’s not one of those thrillers that blows you away, it’s worth a watch
