FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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ゴジラ-1.0
ゴジラ-1.0

ゴジラ-1.0

“戦後、日本。無(ゼロ)から負(マイナス)へ。”

20232h 5m★ 7.6サイエンスフィクションホラーアクション

あらすじ

戦後、無になった日本へ追い打ちをかけるように現れたゴジラがこの国を 負 に叩き落す。史上最も絶望的な状況での襲来に、誰が?そしてどうやって?日本は立ち向かうのか―。

作品考察・見どころ

本作の神髄は、戦後ゼロに陥った日本をさらにマイナスへと叩き落とす絶望の視覚化にあります。VFXが実現したゴジラの圧倒的な質量と破壊力は、単なる怪獣の枠を超え、逃れられぬ天災そのものとして観る者の魂を揺さぶります。主人公が抱える生存者としての葛藤が、この巨大な恐怖とぶつかり合うことで、逆説的に生の尊厳を鮮烈に浮かび上がらせる演出が秀逸です。 神木隆之介らの魂を削るような演技は、自己犠牲を美徳とした時代の呪縛を打破し、未来を生き抜く勇気を選択する人々の強靭な意志を証明しています。最悪の絶望の中で放たれる、生への渇望と力強いメッセージ。それは特撮映画の枠を越え、観客の胸に熱いカタルシスを刻み込む、現代の叙事詩とも呼べる圧倒的な熱量を持っています。

原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

興行成績

製作費: $15,000,000 (23億円)

興行収入: $113,676,322 (171億円)

推定収支: $98,676,322 (148億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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配信サービス

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レンタル・購入

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特集レポート

FindKeyのエディトリアルチームがこの作品の深層や歴史を解説しています。

『Cloud クラウド』ほか、日本映画界の巨匠が魂を削り描いた「人間」の深淵5選

FindKey Editorial2026/2/25

キャスト

神木隆之介
神木隆之介
Koichi Shikishima
浜辺美波
浜辺美波
Noriko Oishi
山田裕貴
山田裕貴
Shiro Mizushima
青木崇高
青木崇高
Sosaku Tachibana
吉岡秀隆
吉岡秀隆
Kenji Noda
安藤サクラ
安藤サクラ
Sumiko Ota
佐々木蔵之介
佐々木蔵之介
Yoji Akitsu
No Image
永谷咲笑
Akiko
田中美央
田中美央
Captain Tatsuo Hotta
遠藤雄弥
遠藤雄弥
Tadayuki Saito

スタッフ・制作会社

監督: 山崎貴

脚本: 山崎貴

音楽: 佐藤直紀 / 伊福部昭

制作: 山田兼司 / 臼井央 / 阿部豪

撮影監督: 柴崎幸三

制作会社: TOHO / TOHO Studios / Robot Communications

TMDB ユーザーのレビュー

Leno
Leno
★ 8

**Go watch as soon as it releases in your country!** I was privileged enough to be in Tokyo the day they released this movie with English subtitles and I have to say that if you enjoy "monster" movies there is no way you won't like this Godzilla. The movie is set from the last days of WW2 to the early post-war. The nuclear bombs used in the Pacific gave Godzilla its super powers, and in the post war it decides to swim towards Tokyo, which of course results in a desperate attempt of stopping the monster. A former kamikaze pilot that had a previous traumatic encounter with Godzilla sees this as an opportunity to get revenge. Apart from a few dialogs and actions from the authors that are more suitable to the Japanese than the American audience, this movie has it all, romance, drama, loss, existencial crisis, and a gory and unstoppable monster. Whether you are an old Godzilla fan or a curious newcomer to this type of movie, Godzilla is one of the best movies released this year.

Manuel São Bento
Manuel São Bento
★ 8

FULL SPOILER-FREE REVIEW @ https://fandomwire.com/godzilla-minus-one-review/ "Godzilla Minus One strikes an outstanding balance between compelling character building, a thematically rich narrative, and two hours of gargantuan entertainment, ultimately becoming a noteworthy addition to the monster film subgenre. It breaks the formulaic barriers of generic creature flicks by delivering a layered story that explores themes of redemption, forgiveness, and the aftermath of war. The memorable score, powerful sound design, and exquisite visuals contribute to a cinematic experience that is both thrilling and emotionally resonant. While the lead acting occasionally falters into melodrama, it does little to diminish the overall impact of a movie that has undoubtedly earned its place among the top-tier entries in the Godzilla franchise." Rating: A-

Chris Sawin
Chris Sawin
★ 10

_Godzilla Minus One_ is not only one of the best films out of the 30-plus in the series, but also one of the best films of the year. The acting is superb, the destruction is immense and incredible, and the gnarly Godzilla design is fantastic. It’s ridiculous, if true, that this film only has a budget of $15 million because it looks better than most Hollywood blockbusters. Full review: bit.ly/kamikaiju

CinemaSerf
CinemaSerf
★ 7

"Shikishima" (Ryunosuke Kamiki) is a man with some guilt. He was a kamikaze pilot towards the end of WWII who feigned some technical problems with his plane and so landed and survived! Now, Japan is defeated and in ruins and he is feels a deep sense if shame. He manages to find a job in a wooden-hulled boat trying to collect up from the sea all the mines laid by the Allies and the Japanese alike, and it's whilst they are at sea they discover a toxic creature that has been born out of the ashes of the atom bomb. This creature is bent on destruction and nothing mankind has in it's arsenal can even dent this leviathan that possesses a deadly blue ray than can obliterate all in it's path. It heads to the land wreaking devastation and so the scientists must come up with a plan before the country is laid waste. It's really two stories. One of the man with all of his demons, his burgeoning romance with a homeless girl and her child and of his gradual realisation that maybe his life isn't quite over yet. The remainder is the standard "Godzilla" style special effects fest that I must admit to preferring to the more recent Hollywood versions. The style of animation here is grittier, the monster knobblier and angrier and the immediately post-war timeframe allows the photography to present us with a more attractively bleak film to look at. The ending is predictable, sure, but at least it tries to solve the problem of this marauding beastie in a little more of an innovatory fashion. Not much original here, but I still quite enjoyed it.

Sweet0Girl
Sweet0Girl
★ 10

**So good!** I have been watching Godzilla movies as long as I can remember. Most are enjoyable and enteretaining except the 1998 American made one. It's one of the worse movies I have ever seen. This movie has no right to be as good as it is! But it is good. Very good and a great movie to celebrate the 70th anniversay of the most well known kaiju in the world. Must be seen on the big screen. I didn't know a Godzilla movie could pack an emotional punch the way this film did. It's a testament to the writing and acting in this film. Kamiki Ryunosuke, Hamabe Minami, Yamada Yuki, Aoki Munetaka, Yoshioka Hidetaka, Ando Sakura and Sasaki Kuranosuke. I'm listing all the actotrs here b/c everyone played their roles well. I also, must shout out the little girl actress. I don't know her name but she was magnificent and I think she was only 3 or 4 years old. I can't give much away but the film explores survivors guilt, shame and forgiveness.

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