Scrapper
あらすじ
No synopsis available.
原作・関連書籍
映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。
興行成績
製作費: $84 (0億円)
興行収入: $1,234,483 (2億円)
推定収支: $1,234,399 (2億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。
製作費: $84 (0億円)
興行収入: $1,234,483 (2億円)
推定収支: $1,234,399 (2億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Charlotte Regan
脚本: Charlotte Regan
音楽: Patrick Jonsson
制作: Farhana Bhula / Eva Yates / Jim Reeve
撮影監督: モリー・マニング・ウォーカー
制作会社: DMC Film / BFI / BBC Film / Great Point Media
"Georgie" (Lola Campbell) ingeniously manages to hoodwink social services following the death of her mother, and so lives on her own and makes a living running an unique cycle recycling programme with her friend "Ali" (Ali Uzun) that keeps them in ready cash. One afternoon, a guy leaps the back fence and introduces himself as her absentee father "Jason" (Harris Dickinson). She wants nothing to do with him, but he's no quitter and over the next hour or so we see the pair gradually realise what they have been missing in the years they spent apart. There isn't really much jeopardy here but what there is, is chemistry, The young Campbell is hugely charismatic and her mischievous but decent characterisation of a latter day urchin is really quite engaging. It's also one of Dickinson's more characterful efforts too. He doesn't rely on his looks and his musculature - he is also delivering us an enjoyable performance to watch as their relationship evolves - and not always smoothly. The writing offers us a dialogue that comes across as genuine, funny and for a low-ish budget effort this really is well worth a watch. I saw it at the cinema, but I'm not sure you need that - television will do fine.
