FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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Medusa Deluxe
Medusa Deluxe

Medusa Deluxe

20231h 41m★ 6.1コメディ謎スリラー
Amazon Prime Video
Amazon Prime Video with Ads

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

口コミ

あなたの評価を記録する

予告・トレイラー

配信サービス

サブスクリプション

Amazon Prime Video
Amazon Prime Video with Ads

レンタル・購入

Amazon Video
FOD

キャスト

Anita-Joy Uwajeh
Anita-Joy Uwajeh
Timba
Clare Perkins
Clare Perkins
Cleve
Darrell D'Silva
Darrell D'Silva
Rene
No Image
Debris Stevenson
Etsy
Harriet Webb
Harriet Webb
Kendra
Heider Ali
Heider Ali
Gac
Kae Alexander
Kae Alexander
Inez
Kayla Meikle
Kayla Meikle
Devine
No Image
Lilit Lesser
Angie
Luke Pasqualino
Luke Pasqualino
Angel

スタッフ・制作会社

監督: Thomas Hardiman

脚本: Thomas Hardiman

制作: Michael Elliott / Lizzie Francke / Louise Palmkvist Hansen

撮影監督: ロビー・ライアン

制作会社: EMU Films / BBC Film / BFI / Time Based Arts

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

Set amongst the cut-throat world of a regional hairdressing contest, this rather thinly spread drama follows the antics of some would-be competitors who gather for their annual jamboree only to find that one of their number has been killed. Scalped, to be precise. As the story develops, we see that there are no shortage of suspects from the great and the good as the scene-stealing "Cleve" (Clare Perkins), "Divine" (Kayla Meikle) and "Kendra" (Harriet Webb) spat, squabble and spar like the best of them. They are all stuck waiting for the police to question them so tensions are only going to increase as they gossip, conspire and also demonstrate some considerably imaginative skills with their hairdos before: enter the partner of the victim. "Angel". At last some semblance of acting from the usually handsome but wooden Luke Pasqualino. Loads of stereotypes, yes, but he actually turns in quite an engaging performance as the camp-as-Christmas, distraught, mincer. Unfortunately, though, this is really just a one act play that has been overstretched into one hundred minutes of screen time, and though it most certainly has it's moments, there are too many extended tracking shots as the camera follows someone, somewhere, around their complex that seemed bigger than the Royal Albert Hall. There's simply too much padding around a story that could have done a little more to develop the personalities more. It is underpinned by some effective black humour - and some of that delivers well and caustically (especially from Perkins) but there's too much of a paucity of that to stop this from feeling rather longer than it is. It looks every a inch a television play, and as such does it's job fine - but I wouldn't say you need to buy a ticket to watch it.

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