FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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クリフハンガー
クリフハンガー

クリフハンガー

19931h 53m★ 6.5アクションアドベンチャースリラー
U-NEXT

あらすじ

ゲイブはロッキー山脈の仕事に就いていた。ある時、同僚のハルとハルの恋人・サラが山でデートをしている最中にハルが怪我をし、ゲイブが救助に向かう。ゲイブはハルの目の前のサラの救出に失敗しサラを死なせてしまう。以後ハルはゲイブを憎むようになり、同僚の恋人・ジェシーと別れ仕事もやめた。 その後、国際犯罪組織が財務省の紙幣輸送の飛行機を乗っ取り、使用済みの紙幣を強奪を図ったが、手違いから紙幣の入ったスーツケースを雪のロッキー山脈に落としてしまう。

作品考察・見どころ

この作品の真髄は、CGに頼り切らない時代だからこそ成し得た、肉体と自然が真っ向からぶつかり合う凄まじい実存感にあります。標高数千メートルの絶壁を舞台にした垂直の演出は、観る者の三半規管を揺さぶり、手に汗握るスリルを物理的に体感させます。主演のシルヴェスター・スタローンが見せる「傷を負った男」の再起を懸けた魂の熱演は、圧倒的なスケールの映像美の中で一層の輝きを放っています。 ジョン・リスゴー演じる冷酷な悪役との対峙は、単なるアクションの枠を超えた深みをもたらします。極限状況で露わになる人間の強欲さと、過去のトラウマを乗り越えようとする自己救済のドラマが、一瞬の油断も許されない高度の世界で見事に融合しています。厳しい大自然の試練を経て再生へと向かう力強いメッセージは、今なお色褪せない興奮と勇気を私たちに与えてくれるのです。

興行成績

製作費: $70,000,000 (105億円)

興行収入: $255,000,211 (383億円)

推定収支: $185,000,211 (278億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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予告・トレイラー

配信サービス

サブスクリプション

U-NEXT

レンタル・購入

Amazon Video
Apple TV Store

特集レポート

FindKeyのエディトリアルチームがこの作品の深層や歴史を解説しています。

『ダイ・ハード2』の興奮を再び!30年前の記憶を呼び覚ます至高のアクション映画5選

FindKey Editorial2026/2/5

キャスト

シルヴェスター・スタローン
シルヴェスター・スタローン
Gabe Walker
ジョン・リスゴー
ジョン・リスゴー
Qualen
マイケル・ルーカー
マイケル・ルーカー
Hal Tucker
Janine Turner
Janine Turner
Jessie Deighan
レックス・リン
レックス・リン
Travers
キャロライン・グッドール
キャロライン・グッドール
Kristel
Leon
Leon
Kynette
Craig Fairbrass
Craig Fairbrass
Delmar
Gregory Scott Cummins
Gregory Scott Cummins
Ryan
Denis Forest
Denis Forest
Heldon

スタッフ・制作会社

監督: レニー・ハーリン

脚本: John Long / Michael France / シルヴェスター・スタローン

音楽: トレヴァー・ジョーンズ

制作: レニー・ハーリン / Mario Kassar / Alan Marshall

撮影監督: Alex Thomson

制作会社: Carolco Pictures / Le Studio Canal+ / Pioneer / RCS Video

TMDB ユーザーのレビュー

John Chard
John Chard
★ 8

Superb actioner from Sly and the gang. Gabe Walker (Sylvester Stallone) is an expert climber, but after a tragic incident leaves a girl dead, he leaves the mountains to get his head together. After his self imposed break he returns in the hope of rekindling a relationship with Jessie (Janine Turner). Whilst at the rescue centre he is called to help a group who are stranded in the mountains, he agrees to help out this one last time, unaware that the group in the mountains are heavily armed murderous thieves and they need help of another kind... Directed by Renny Harlin, this is one of those films that shows that Stallone once had box office clout as big as his bodily frame. It's a delightful no brain action film that delivers royally to those with a bent for the action genre. What really lifts Clifhanger above average is the wonderful use of suspenseful situations. The film opens with a quite breath taking sequence and then kicks on to literally have us hanging on by our fingernails. The bad guys are deliciously over the top, none more so than the bullishly nasty John Lithgow as Eric Qualen, whilst Sly gets beefcake support from the ever reliable Michael Rooker. Cinematography by Alex Thomson is gorgeous as he brings to life the Cortina d'Ampezzo area of the Dolomites in Italy. Score is by Trevor Jones, who keeps it orchestral as he lifts from his own work for Last of the Mohicans, which in turn is mixed with what sounds like the lead theme of Alan Silvestri's work on Predator. Slam bang action, tense fraught moments, and a script written with knowing tongue in cheek persuasion, Cliffhanger literally does ROCK. 7.5/10

CinemaSerf
CinemaSerf
★ 6

When a rescue atop a mountain goes wrong, a girl is killed and her boyfriend "Tucker" (Michael Rooker) blames his partner "Walker" (Sylvester Stallone) for the tragedy. A year goes by and the two must reunite to find any survivors from an high altitude plane crash. What they don't know is that plane carried "Qualen" (John Lithgow) and his associates who have just carried out a daring mid-air robbery and they are now looking for their $30m in the snowy wilderness. Apprehending their would be saviours, the gang use tracking technology to hunt their missing suitcases, but of course we just know things are not going to go smoothly. This has the scenario to be exciting: the cold and rather beautiful wintry scenery sets a scene nicely but the acting is very poor. Lithgow is hopeless, no other word for it, and Stallone just goes through the motions as the tortured soul trying to reconcile with ex girlfriend "Jessie" (Janine Turner), his friend and his conscience. Rex Linn's "Travers" - a duplicitous FBI man is no better and after about half an hour you are certain just what is going to happen - it's now all about pyrotechnics, helicopters and avalanches. It was nice to see "Pa Walton" (Ralph Waite) on screen again but Craig Fairbrass? No, sorry. This is just well photographed mush up a mountain.

Filipe Manuel Neto
Filipe Manuel Neto
★ 4

**Action with some humor and a dose of exaggeration.** The best thing about an action movie is that it's usually easy entertainment and doesn't make you think too much. The film that brings me here today is reasonably enjoyable for that reason, and for being honest in what it does, that is, it is not one of those films that deceives the public by saying it is one thing and being another. The film is exactly what it says it is, and delivers what it promises. The script isn't particularly smart, and the story has enough improbable points to make us really doubt it. However, it serves the purposes of the film perfectly, even having some moments of humor. The film is far from being good, but it has a cast of good actors: Sylvester Stallone is good at acting, but he was never good at playing characters, and that doesn't change in this film. Even so, he's good enough to handle the role and have the lead. John Lithgow also does a satisfying job, but the rest of the cast is average. The villains are… likable, to be honest. Technically, the film takes advantage of the generous budget for very good and well-executed action scenes, with great physical demand from the stuntmen and great commitment from the special effects, visual and sound sectors. There's an exaggeration that makes everything feel sensational, kitschy and a little silly, and the dialogues are absolute clichés, but they add fun and some more witty moments to the film. Of course, there's plenty of pyrotechnics, judging by the amount of stuff that gets blown up.

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