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Violent Playground
Violent Playground

Violent Playground

19581h 48m★ 7.0犯罪ドラマ

あらすじ

No synopsis available.

作品考察・見どころ

本作の真髄は、戦後リバプールの荒廃した空気の中に、社会の歪みと人間の尊厳を鮮烈に描き出した点にあります。主演のスタンリー・ベイカーが見せる、冷徹な法執行者から共感を知る人間へと変貌していく繊細な演技は圧巻です。単なる犯罪劇を超え、若者が抱える閉塞感とそれを生む社会構造への鋭い批判が、静かな熱量を持って観る者に迫ります。 特にデイヴィッド・マッカラムが演じる若者の、危うい均衡で成り立つ狂気と孤独は、現代の観客の心をも激しく揺さぶるでしょう。バジル・ディアデン監督の緻密な演出は、日常の風景を逃げ場のない心理的な檻へと変え、極限の緊張感を生み出しています。暴力の連鎖を断ち切るために何が必要かという普遍的な問いを、情熱的に突きつける傑作です。

口コミ

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キャスト

Stanley Baker
Stanley Baker
Detective Sergeant Jack Truman
Anne Heywood
Anne Heywood
Cathie Murphy
David McCallum
David McCallum
Johnnie Murphy
ピーター・カッシング
ピーター・カッシング
Father Laidlaw
John Slater
John Slater
Sgt. Walker
Clifford Evans
Clifford Evans
Headmaster Evans
Moultrie Kelsall
Moultrie Kelsall
Superintendent
George A. Cooper
George A. Cooper
Chief Inspector
No Image
Brona Boland
Mary Murphy
No Image
Fergal Boland
Patrick Murphy

スタッフ・制作会社

監督: Basil Dearden

脚本: James Kennaway

音楽: Philip Green

制作: Michael Relph / Earl St. John

撮影監督: Reginald H. Wyer

制作会社: The Rank Organisation

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

David McCallum features strongly in this rather gritty story of "Johnnie", a bit of a pyromaniac, who falls foul of local policeman "Truman" (Stanley Baker) who is charged with dealing with the town's more violently recalcitrant youth. The latter character is not just about law enforcement, though, he is about rehabilitation and the gist of the story is to demonstrate that, whilst never easy or straightforward, there is always a certain degree of hope. "Truman" alights on the young "Johnnie" after he encounters his young niece and nephew running petty - and quite clever - scams on their neighbours. When he takes them home, he sees that their mother "Cathie" (Anne Heywood) is trying to do her best against formidable odds and that their other life influence is caught up in the semi-legal world of sex, drugs and rock and roll. In itself, the story is nothing particularly remarkable - but the characters are engaging, not always likeable, but they have depth which Basil Dearden takes his time to let us experience. The writing is pretty overly simplistic, though, and Baker really only has one gear as an actor and though he isn't bad here, he falls to resonate much as a man who might actually care. Visually, this film shows us a Liverpool that was still in the grips of post war doldrums, and the photography does much to engender the sense of need felt by many of the working class residents; it also shows us that it wasn't just London that had a rich mix of "personalities" embedded within the community - some tolerated more than others! Most folk watching now will only recall McCallum from his "Duckie" role in "NCIS". This film clearly demonstrates that for a while in the late 1950s, he was an actor prepared to push boundaries and tackle some borderline taboo topics with enthusiasm and skill.

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