レニー・ハーリン監督、アーロン・エッカート主演のアクション・エンタテインメント。反米感情高まるヨーロッパを舞台に、CIAを罠にかけて世界を敵に回させようとした連中に、元CIAエージェントが挑んでいく。
AIが作品の魅力を深く読み解いています
製作費: $23,900,000 (36億円)
興行収入: $899,683 (1億円)
推定収支: $-23,000,317 (-35億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: レニー・ハーリン
脚本: Paul Lindsay / Hanna Weg / Matt Johnson
音楽: Walter Mair
制作: ジェラルド・バトラー / Trevor Short / Heidi Jo Markel
撮影監督: Matti Eerikäinen
制作会社: Eclectic Pictures / Millennium Media
Basic but serviceable action flick with the usual cast of cliched US "good guys" vs your standard fare villains.This films not going to set the world on fire but its not dreadful, either. Pacing is decent and acting is okay. In summary, if you like the occasional simple, exposition driven action flick, this is worth a look.
Woooooooow. Cheap, cheap, cheap thrills. Bricklayer does this one knee slide at one point - kick ass. Kate shoots through him at guy speeding away on motor bike, Bricklayer doesn't even flinch. Bricklayer rules. Amazing. Thanks, team.
This light on action abomination, posing as an action movie, is dumber than a bag of bricklayers. They actually shoe horn in him being a bricklayer, who brings his brick tools on cia missions, and he actually gets to use his trowel to find some secrete crap in a wall, oops, i mean, spoiler alert. Oh, and he really loves jazz, cause hes sophisticated, despite being a dumb fuck bricklayer. Contrived would be generous. Shakey-cam cut-frenzy horse shit action, check, chauvinistic writing for the lady, check, 80 percent of the movie shot reverse shot conversations in a nondescript room, check. Production levels are around the low tier network tv show area, think seal team and that sort of trash.
