FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
© 2026 Bennu Inc.TMDB Logo

本サービスはTMDB APIを利用していますが、TMDBによる推奨・認定を受けたものではありません。

バーチュオシティ
バーチュオシティ

バーチュオシティ

19951h 46m★ 5.5アクション犯罪サイエンスフィクションスリラー

あらすじ

舞台は近未来のロサンゼルス。警察の訓練用に開発されたVRシステムには、歴史上の凶悪犯数百人のデータを合成した究極の人工知能プログラム「シド6.7」が存在していた。しかし、進化を遂げたシドはバーチャル空間を抜け出し、無敵のアンドロイドの肉体を得て現実世界へと逃亡してしまう。 この未曾有の危機に選ばれたのは、シドとの訓練で唯一互角に戦った元警官の囚人パーカーだった。妻子を失った暗い過去を持つ彼は、特赦を条件に現実世界で暴走する最凶の敵の追跡を命じられる。果たしてパーカーはシドを止められるのか?仮想空間と現実が交錯する追走劇が幕を開ける。

作品考察・見どころ

AIが作品の魅力を深く読み解いています

興行成績

製作費: $30,000,000 (45億円)

興行収入: $24,048,000 (36億円)

推定収支: $-5,952,000 (-9億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

あなたの評価を記録する

予告・トレイラー

キャスト

デンゼル・ワシントン
デンゼル・ワシントン
Parker Barnes
ラッセル・クロウ
ラッセル・クロウ
Sid 6.7
ケリー・リンチ
ケリー・リンチ
Madison Carter
Alanna Ubach
Alanna Ubach
Ella
ウィリアム・フォーサイス
ウィリアム・フォーサイス
William Cochran
Stephen Spinella
Stephen Spinella
Lindenmeyer
Louise Fletcher
Louise Fletcher
Elizabeth Deane
ウィリアム・フィクナー
ウィリアム・フィクナー
Wallace
Costas Mandylor
Costas Mandylor
John Donovan
Kevin J. O'Connor
Kevin J. O'Connor
Clyde Reilly

スタッフ・制作会社

監督: Brett Leonard

脚本: Eric Bernt

音楽: Christopher Young

制作: Hawk Koch / ゲイリー・ルチェッシ

撮影監督: Gale Tattersall

制作会社: Paramount Pictures

TMDB ユーザーのレビュー

Kamurai
Kamurai
★ 8

Great watch, would watch again, and can recommend. While this is a trip in the way back machine, I think this going to remain a favorite of mine. Akin to "Back to the Future", seeing what people thought the future would be 20 years ago is really interesting, and what's more is that we've pushed boundaries where something like this movie could happen. We're probably still (2021) a ways away from digital silicone DNA, we're creating robots that are more and more life-capable and could have A.I. loaded into them to run a muck. It's an interesting mix of sci-fi, action, and true crime style entertainment that I think should hold interest for most audiences.

tmdb76622195
tmdb76622195
★ 4

Three Oscar winners- Denzel Washington, Russell Crowe, and Louise Fletcher- are completely wasted in this high tech shoot-'em-up. Parker Barnes (Denzel Washington) is a cop convicted of murder and serving time. He becomes a guinea pig in some virtual reality testing involving capturing SID 6.7, a computer combination of over 200 criminals. SID's evil programmer releases SID (Russell Crowe) into the real world, and Barnes is released long enough to track him down. He must also drag along Madison Carter (Kelly Lynch), who spends most of her screen time trying to keep up with Barnes. Barnes finds out SID is also programmed with the behavior of the man really responsible for Barnes' family's demise, making the entire thing "personal." Carter's daughter is kidnapped by SID, and the finale takes place during a live TV/internet broadcast in a high rise building. Louise Fletcher is not given anything to do as an executive with the company that created SID. Crowe has the right physical look, but the screenwriter unwisely gave SID a bunch of unfunny one liners to utter during all the mayhem. A mass killer has not made this many stupid comments since the "A Nightmare on Elm Street" series. Washington, trying to corner the market on 1990's serial killer trackers (see also "Fallen" and "The Bone Collector"), is okay as the killing cop. He tries to turn this into more than an action film, but his character is not there. Brett Leonard, of "The Lawnmower Man" and the bad "Hideaway," finally finds another movie to use his trademark computer special effects in. The effects are okay, but are constantly undermined and drowned out by all the bloodshed. The screenwriter makes bad plot decisions just so he can move his story along, not because they make sense- SID's programmer releases SID because he is mad. SID can regenerate himself with glass, SID is not really drawn to any of the other real-life killers he has been programmed with, just the one Barnes has flashbacks about. I thought SID would be like a superhuman serial killer, leaving other real life killers' clues in his path, but we get a passing Charles Manson mention, and that is it. There is more broken glass in this film than "Another 48 HRS", the previous broken glass film champion. Some fun almost comes in the climax, as Barnes pursues SID, and in turn is pursued by the cops for a crime SID framed him for. The film is ten minutes too long, as we must sit through Carter's daughter's scenes, which feels tacked on to the end. Yes, the computer effects are pretty good. Crowe is as good as he can be considering the script, but Leonard does not build any momentum in his direction. His camera is everywhere, but he wastes his talents on a screenplay that lumbers toward inevitability in every scene. In the climax, as SID takes over a TV broadcast to kill on the air, we see the viewership increase- one medium telling me how awful another medium is. I do not need a violent film to tell me there is too much violence on TV and the internet. That would be like a porn actress telling me women are used as sexual objects in strip clubs. Take away all the bells and whistles, and carnage and explosions, and you have an average film dressed up with a good cast.

おすすめの作品