10 月 12 日の夜、ある女子大生が何者かに殺されたー だが刑事はまだ知らなかった、 この“未解決事件”が自分自身を蝕んでいくことを。 フランス南東の地方都市グルノーブルで、10 月 12 日の夜、帰宅途中の 21 歳の女性が何者かに火をつけられ、翌朝焼死体という無惨な姿で発見される。そして、地元警察でヨアンを班⻑とする捜査班が結成され、地道な聞き込みから次々と容疑者が捜査線上に浮かぶも、事件はいつしか迷宮入りとなってしまう...浮かび上がる容疑者、そして掴めない証拠。 あなたも気がつくだろう、いつの間にかこの事件に蝕まれていることをー。
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興行収入: $3,467,232 (5億円)
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監督: Dominik Moll
脚本: Gilles Marchand / Dominik Moll / Pauline Guéna
制作: Barbara Letellier / Carole Scotta / Caroline Benjo
撮影監督: Patrick Ghiringhelli
制作会社: Haut et Court / Versus Production / Auvergne-Rhône-Alpes Cinéma / RTBF / VOO / BeTV / Proximus
This is a fictional interpretation of an actual crime that sees newly promoted "Vivés" (Bastien Bouillon) take his team of Grenoble detectives to a small town to investigate a grisly murder. Walking home from a friend's house the previous morning, "Clara" (Lula Cotton-Frapier) is confronted by a stranger who throws a combustible liquid over her and then sets her alight. What the Police Justiciare have to work with is a ghastly sight. Their investigations quickly reveal no shortage of potential attackers. This girl had lived a "lively" life - unbeknownst to her parents - and her boyfriends ranged from the nerdy to the opportunist to the downright bad boy "Caron" (Pierre Lottin). Thing is, loads of suspects don't add up to loads of evidence and tempers amongst the team begin to fray as their lack of actual progress becomes frustrating, exasperating and personal. Although this has elements of a whodunit to it, it is essentially quite an interesting "fly-on-the-wall" style drama that illustrates the difficulties faced by an under-resourced team of officers who cannot but become involved in the heinous crimes they must try to solve. This film looks quite intensely at their own personal relationships and is frequently peppered with some dark humour and with contrary views on the victim that occasionally make it difficult for an on form Bouillon to handle. Bouli Lanners is effective here as his passionate sidekick "Marceau" - himself having his own share of domestic disasters, and as the narrative pans out we, too, are offered nothing concrete in which to hope! I didn't love the ending scenarios. The casualness, desperation even, seemed to fly in the face of so much of their previously meticulous police-work, but the lead performance is good, the cinematography potent and this is definitely worth a watch.
