FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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ドーン・オブ・ザ・デッド
ドーン・オブ・ザ・デッド

ドーン・オブ・ザ・デッド

20041h 41m★ 7.0ホラーアクション

あらすじ

看護師アナは夫と暮らすがある朝、怪物のように変貌した隣家の娘に襲われ、夫は命を奪われる。しかも夫は直後、怪物のようになって生き返る。同じころ町では原因不明だが、次々に死者たちがゾンビになってよみがえり、市民を襲っていた。家を後にしたアナは麻薬の売人アンドレなどの生存者たちと出会いながら、あるショッピングモールに到着。モールにはゾンビたちも侵入できず食料も十分だったが、そこもゾンビの群れに襲われる。

作品考察・見どころ

本作の真髄は、静謐な日常が瞬時に崩壊する圧倒的なスピード感にあります。全速力で迫る死の恐怖を描いた映像美は、ジャンルの概念を塗り替えました。極限下の生存者たちが抱く焦燥感と剥き出しの本能を、スタイリッシュかつ無慈悲な演出が鮮烈に浮き彫りにしています。 文明の象徴であるショッピングモールで露わになる人間模様は、まさに社会の縮図です。実力派キャストが体現するエゴと絆の対比は、私たちの生への執着を激しく揺さぶります。恐怖を超えて人間の本質を突きつける怒涛の映像体験は、観る者の魂を鼓舞し、強烈な余韻を残すことでしょう。

興行成績

製作費: $26,000,000 (39億円)

興行収入: $102,278,712 (153億円)

推定収支: $76,278,712 (114億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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予告・トレイラー

キャスト

サラ・ポーリー
サラ・ポーリー
Ana
ヴィング・レイムス
ヴィング・レイムス
Kenneth
ジェイク・ウェバー
ジェイク・ウェバー
Michael
Mekhi Phifer
Mekhi Phifer
Andre
Ty Burrell
Ty Burrell
Steve
マイケル・ケリー
マイケル・ケリー
C.J.
Kevin Zegers
Kevin Zegers
Terry
No Image
Michael Barry
Bart
Lindy Booth
Lindy Booth
Nicole
Jayne Eastwood
Jayne Eastwood
Norma

スタッフ・制作会社

監督: ザック・スナイダー

脚本: ジェームズ・ガン / ジョージ・A・ロメロ

音楽: Tyler Bates

制作: エリック・ニューマン / Richard P. Rubinstein / Marc Abraham

撮影監督: Matthew F. Leonetti

制作会社: New Amsterdam Entertainment / Strike Entertainment

TMDB ユーザーのレビュー

John Chard
John Chard
★ 8

Come on, man. You must've heard the priest say something about life and death. George Romero fans feared the worst, another one of his sacred original zombie trilogy films was being remade, this even though the remake of Night of the Living Dead didn't disgrace itself. As it happened, the fears were unfounded, for Zack Snyder and his team crafted one of the best horror remakes going. The premise follows Romero's wonderful version, a mysterious epidemic is causing the populace to turn into undead zombies, the bite of which transfers the illness to another. A small group of survivors make it to the Crossroads Mall and hole up there whilst trying to keep at bay the zombie hordes, but inner fighting threatens the group whilst they know they can't stay there for ever. Right from the off the film grabs you around the throat, it's a blistering and terrifying opening which brings heartbreak and terror in equal measure. It also announces to us that these zombies are different to Romero's, these suckers can run, and run fast. After some chaos and blood, the introductions to our survivors is set up and the pic settles into a superb group dynamic situation, where machismo and brains meet dumb and dumber, all while little devilish moments trickle away in the background. It's the focus on the survivors that really lifts it to greater heights, how they variously react to their plight, there's good thought gone into the screenplay (James Gunn). The natural progression of this type of film calls for horror moments, and Snyder deftly slots them in when the pic needs them, which again brings about scenes of terror and genuine heartbreaking moments. Some neat cameos will be cheered by fans of Romero's work, while the cast are superb here, with Sarah Polley the standout fulfilling the believable promise of the character as written. A remake that is its own beast yet still pays homage to what inspired it, and good at both! Now that's a rare thing in horror! 8/10

Kamurai
Kamurai
★ 9

Great watch, will watch again, and can definitely recommend. Granted, if you're not a zombie fan, you're probably not even considering this one. Then you have the great argument about infection vectors (this is pretty classic, bite infection transfer), and slow vs fast (this movie is fast) zombies. I'm basically just pointing out why we can't have nice things, people argue about it. This has a great cast: Ving Rhames, Sarah Polley and Jake Weber in particular. The production value was definitely present, and not just in renting a mall to trash, or even just the zombie practical effects. The large scale scenes look amazing, and the details on the various infections are fascinating to watch. And sure, there is lots of quality gunfire (foley is good) and shooting zombies for people you are just in it for the action. While it's actually got some good (if dark at times) humor to it, it's not "Warm Bodies". Of course the presence of zombies / apocalyptic situation / lack of central authority gives us great philosophical opportunity to discuss what life means and see how people behave, but this leans more towards survival strategy aspects. If anything, I think that is where the "flaw" is in this movie: (most of) the characters are relatively competent so it detours some from typical movie formula relying on the characters to make mistakes to progress the story, but more of there is just a hopeless unending storm of bad things happening to them, it's honestly a little refreshing. This is probably one of my favorite zombie movies, and I don't even like running zombies.

Andre Gonzales
Andre Gonzales
★ 7

Awesome awesome movie. Loved this movie since the first time I ever seen it. Lots of zombies, and a lot of killing. One of the best zombies movies ever made in my opinion.

Filipe Manuel Neto
Filipe Manuel Neto
★ 4

**A low-budget film, but where everyone tries to do the best they can.** Generally, I don't like films with the living dead, although I've seen several in recent times. This was one of them. Out of nowhere, the characters are thrown into a total apocalypse where people become zombies that they don't know how to kill. The protagonist is a young nurse, who immediately loses her entire family in the first moment. That makes us instantly like her. From then on, we hope that she will save herself and find other survivors to form an alliance with, which inevitably happens when she finds a shopping mall. Zack Snyder directs this film and delivers a very competent and well-made story, which manages to captivate the audience with a convincing and structured story. The film is, moreover, a remake of an original by George A. Romero, but it is really worth seeing this film for what it is, without comparisons. Technically, the film was well edited and has good sets, costumes and makeup, and a pleasantly stable pace that doesn't leave us thinking about things too much. Of course, there are obvious clichés and logical flaws in all of this, such as the fact that some things never stop working (running water, electricity, etc.), but I forgave these problems. The cast doesn't have any particularly big names, perhaps it was a conscious and deliberate decision to make this film with lesser-known actors, with whom everyone could identify more easily. Sarah Polley is the protagonist and does a very decent job, as do Ving Rhames and Michael Kelly. It is noted, however, that the entire film was made with very low budgets and that there is some amateurism and improvisation in the work of the cast and technical team. Still, weighing things up, it's not a bad film and everyone did the best they could do.

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