FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
© 2026 Bennu Inc.TMDB Logo

本サービスはTMDB APIを利用していますが、TMDBによる推奨・認定を受けたものではありません。

ゾンビ
ゾンビ

ゾンビ

“地獄の底から這い出して、ゾンビが食う!人間を食う!”

19781h 55m★ 7.5ホラーサイエンスフィクション

あらすじ

世界各地で原因が判らぬまま死体が蘇り、生きている人間を襲って食べる現象が蔓延し次第に社会は大混乱していく。アメリカ地方テレビ局のスティーブンとフランはこの状況から都市部を脱出する事にした。友人のSWAT隊員ロジャーと同僚ピーターと共にヘリコプターで人の少ない田舎を目指すが、途中孤立したショッピングモールに立ち寄る。何でもそろっているショッピングモールは隔離して中のゾンビを駆除してしまえば安全と思われ、出入り口を閉鎖し快適な空間へ作り変えていく。そんな中、暴徒と化した暴走集団がショッピングモールに目をつけ襲撃してくる。暴動集団の無計画な襲撃をやり過ごす中、ゆっくりとだが群がるゾンビが彼ら人間を確実に取り囲んでいく。

作品考察・見どころ

本作の真の恐怖は、死者ではなく消費社会の檻に閉じこもる人間の姿にあります。モールという舞台は、死してなお本能で物を求める群衆と、贅沢に溺れ正気を失う生存者の対比を鮮烈に映し出しました。現代文明への痛烈な皮肉が込められたこの設定こそが、本作を単なる娯楽から社会派の芸術へと昇華させた本質的な魅力です。 サヴィーニによる生々しい特殊メイクと、ロメロ監督の緊迫感溢れる演出は、生理的な衝撃と興奮を呼び覚まします。極限状態で露呈する人間のエゴと、略奪者との凄惨な抗争。真に恐ろしいのは「生者」だと突きつける本作は、今なお観る者の倫理観を激しく揺さぶる、ホラー映画史に燦然と輝く金字塔です。

興行成績

製作費: $640,000 (1億円)

興行収入: $55,000,000 (83億円)

推定収支: $54,360,000 (82億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

あなたの評価を記録する

Amazon Prime Video
Hulu
U-NEXT

予告・トレイラー

配信サービス

サブスクリプション

Amazon Prime Video
Hulu
U-NEXT
FOD Channel Amazon Channel
Amazon Prime Video with Ads
FOD

レンタル・購入

Amazon Video
Apple TV Store

キャスト

David Emge
David Emge
Stephen "Flyboy" Andrews
Ken Foree
Ken Foree
Peter Washington
Scott H. Reiniger
Scott H. Reiniger
Roger "Trooper" DeMarco
Gaylen Ross
Gaylen Ross
Francine "Fran" Parker
David Crawford
David Crawford
Dr. James Foster
David Early
David Early
Sidney Berman
Richard France
Richard France
Dr. Milliard Rausch
Howard Smith
Howard Smith
TV Commentator
Daniel Dietrich
Daniel Dietrich
Dan Givens
Fred Baker
Fred Baker
Police Commander

スタッフ・制作会社

監督: ジョージ・A・ロメロ

脚本: ジョージ・A・ロメロ / ダリオ・アルジェント

音楽: Massimo Morante / Claudio Simonetti

制作: Richard P. Rubinstein / Alfredo Cuomo / Claudio Argento

撮影監督: Michael Gornick

制作会社: Dawn Associates / Laurel Entertainment

TMDB ユーザーのレビュー

talisencrw
talisencrw
★ 9

This is one of the finest sequels ever, in that it's both of comparable quality with the original, yet is fundamentally different from it at the same time. Marvelous stuff, with aspects copied thousands of times over the past two generations, with no end in sight. This and 'Salo, or the 120 Days of Sodom', from about the same time frame, would make one of the best double-bills ever on the evils of consumerism gone rampant...

Wuchak
Wuchak
★ 8

Romero’s imaginative and thrilling zombie sequel A decade after the excellent “Night of the Living Dead” (1968), writer/director George Romero offers up this exceptional sequel. The plague of reanimated corpses with a hunger for warm flesh is now global and society is increasingly breaking down. A television exec (Gaylen Ross), her helicopter-reporter beau (David Emge) and two SWAT officers (Ken Foree and Scott Reiniger) take refuge in a suburban mall. Unfortunately for them, a veritable army of biker-raiders wants the mall for their own. One of the main reasons this film is so iconic is because Romero seriously considered what it would be like after a ‘zombie apocalypse’ and came up with an inspired story. While the bleakness of the situation is addressed there’s also a sense of adventurous freedom; for instance, the protagonists having an entire mall to themselves. The movie’s disturbing, ghastly and gory, but also action-packed and sometimes humorous. The zombies make for good bullet fodder while, at the same time, satirizing consumer society. The creative score is varied and I’m sure it was cutting edge at the time, but it’s very dated today, although you’ll probably find yourself acclimating to it. The no-name cast is convincing with the towering Foree standing out while Emge comes across as a poor man’s Donald Sutherland. The movie runs 2 hours, 7 minutes with the longer version running 2 hours, 19 minutes (the one I watched). It was shot in Monroeville, Pennsylvania, and nearby Pittsburgh. GRADE: A-

JPV852
JPV852
★ 8

Been a while since I last watched this one, but with the new 4K UHD out, decided to give it another watch going with the Extended Cut. Still very well made with some great zombie effects and really liked the characters, Peter (Ken Foree), especially. I'm not a big fan of the zombie horror genre but this is one of the exceptions. **4.0/5**

Filipe Manuel Neto
Filipe Manuel Neto
★ 1

**This must be some kind of joke, right?** Firstly, allow me to clarify: I am not a fan of “zombie” films, although I understand very well the interest that, in recent years, there has been for this material. I totally respect those who enjoy it. But let's be honest: a film has to have some aesthetic quality and some good taste to become “digestible”. And, well, I just finished watching this film, and I honestly can't understand how it has survived without ending up in the vault of oblivion. There are incredibly better films that have been forgotten as the years pass, but a certain type of crap, purely and simply because it's bad, lives on. The plot is essentially based on a moment of chaos in which the USA (the rest of the world does not exist) is taken over by zombies and no one knows what to do or where to go. Everyone thinks of themselves, saves their own skin and that's it. In the meantime, the usual opportunists take advantage of the situation as they see fit, and a small group of “surviving heroes” look for somewhere to take shelter. It's the plot of this film and a dozen other disaster films (zombies, volcanoes, wars, earthquakes, alien invasions, you name it). The level of originality is below zero, and the situations are all predictable and highly cliché. We know who is going to die and who is going to be saved by a whisker, and the fact that the film starts without any kind of introduction is just confusing and a little stupid. Directed by George A. Romero, a man who must have suffered from some bizarre sexual fetish with dead people and zombies (look at his filmography!), the film is absolutely trash and could compete in poor quality and bad taste with all of Ed's films Wood and with the historical rigor of Ridley Scott's period films. I lost count of the script problems, continuity errors and gross editing errors. The cinematography is ugly, there is a blatant exaggeration of the sets and the zombies' makeup is so obviously fake that they look like what we did at fifteen in school plays. And we'd better not even talk about the cast: I have doubts whether those people were actors.

おすすめの作品