舞踏会の手帖

Marie Bell is "Christine". She is recently widowed and going through her possessions when she discovers a dance card from her past. On it are the names of various men she knew - to varying degrees - back when she was a debutante attending a ball. She decides to track these men down and the film follows her as she tries to evaluate whether or not she married the right man, encountering each and considering where her (and their) future may have led had events played out differently. It also becomes apparent that these men, too, have found their lives impacted on by their relationship at the time with her. Some of their stories are tragic, some satisfying, some entertaining: we have a hen-pecked local mayor, a recluse, a priest, an hairdresser - who might not have proved to be her cup of tea, anyway. What "Christine" gradually comes to realise is that regret and wishful thinking are a two way street, and the poignancy of her journey is well encapsulated at the end when she meets a young man, much the same age as she was when her card was being filled. Bell is really effective here, she plays the role with nuance and an endearing charisma especially as she begins to realise the reciprocal effects of the characters' behaviour when they were all around sixteen years old. The dialogue is also quite well written with a degree of humour, frankness and realism that helped ensure director Julien Duvivier could sustain what might otherwise have been rather a long, and episodic, 2½ hours. This is an engaging lifetime retrospective that takes it's time and, I suspect, will leave us all with our own choice of whom she ought to have married (if anyone of them).