탈주
あらすじ
No synopsis available.
予告・トレイラー
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
興行収入: $13,368,094 (20億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
興行収入: $13,368,094 (20億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: イ・ジョンピル
脚本: 김우근 / Kwon Sung-hui / イ・ジョンピル
音楽: 달파란
制作: Hong Jeong-in / Park Un-kyoung
撮影監督: 김성안
制作会社: The LAMP / Plus M Entertainment
Having seen the trailers for Escape I looked forward to this film but somehow, it didn't quite live up, to my expectations. On the upside there is a lot of decent action and characterisations. The two main protagonists, the soldier trying to defect to the South and the North Korean senior officer, pursing him, are well rendered and inherently interesting. That said, Escape fails to bring things together in a wholly satisfying way. It repeatedly builds and dissipates tension over the course of the film, making the experience feel uneven and at times, a little repetitive. On a different note there's also a dash of the by now usual woke nonsense, clumsily designed to highlight the "intolerance" of the North Korean regime towards people of differing sexual proclivities. I don't really care but the incessant politicking is tiresome. You could argue too, there's a counter argument for being "tolerant" of differing, non-westernized, societal norms but anyway...... In summary, a reasonable action thriller that could have been a lot more enjoyable again, with a tighter, more focused script.
