FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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ヨーロッパ新世紀
ヨーロッパ新世紀

ヨーロッパ新世紀

20222h 5m★ 6.9ドラマ

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

興行成績

興行収入: $450,255 (1億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

Marin Grigore
Marin Grigore
Matthias
Judith State
Judith State
Csilla
Macrina Bârlădeanu
Macrina Bârlădeanu
Ana
No Image
Orsolya Moldovan
Mrs. Dénes
András Hatházi
András Hatházi
The Mayor
No Image
Rácz Endre
Tibi
József Bíró
József Bíró
The Catholic Priest
Ovidiu Crișan
Ovidiu Crișan
Mr. Baciu
No Image
Zoltán Deák
Zsolt
No Image
Cerasela Iosifescu
Mrs. Baciu

スタッフ・制作会社

監督: Cristian Mungiu

脚本: Cristian Mungiu

制作: Cristian Mungiu / Tudor Reu

撮影監督: Tudor Vladimir Panduru

制作会社: Mobra Films / Why Not Productions / France 3 Cinéma / Les Films du Fleuve / Filmgate Films / Film i Väst

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

After a bit of an altercation with a co-worker in a meat processing factory in Germany, the slightly thuggish "Matthias" (Marin Grigore) returns to his rural Romanian village where his less than delighted to see him wife "Ana" (Macrina Barladeanu) is trying to bring up their young son "Rudi" (Mark E. Blenyesi). The young lad has clearly suffered from some sort of trauma and so doesn't ever speak. "Matthias" needs to find a job, but the local employer - a bakery run by "Csilla" (Judith Slate) - is fully staffed, though largely by migrant workers including a family from Nepal. What now ensues is quite a telling drama that tries to reconcile the familial differences between the troubled trio whilst also looking at the impact of immigration on small towns where local employment - that pays sufficiently well to maintain adequate standards of living - is particularly sparse. It looks at a xenophobia but with a justifiable, almost sympathetic eye and it also takes a look at the role of the ostensibly tolerant and all-encompassing religious establishment that is perhaps not as Christian as we might expect. This community is not intrinsically racist but perhaps just a little bit nimby-ist - and often with a degree of plausible just cause. I can't say I loved the ending - it was incomplete and rather unsatisfactory for me, but the efforts from the actors and the sometimes quite potent writing offers us an intimate view on just how grand design politics can impact small, traditional, communities.

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