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I Used to Be Funny
I Used to Be Funny

I Used to Be Funny

20241h 46m★ 6.7ドラマコメディ

あらすじ

No synopsis available.

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原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

興行成績

製作費: $2,000,000 (3億円)

興行収入: $160,499 (0億円)

推定収支: $-1,839,501 (-3億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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キャスト

レイチェル・セノット
レイチェル・セノット
Sam Cowell
Olga Petsa
Olga Petsa
Brooke Renner
ジェイソン・ジョーンズ
ジェイソン・ジョーンズ
Cameron Renner
Sabrina Jalees
Sabrina Jalees
Paige
Caleb Hearon
Caleb Hearon
Philip
Ennis Esmer
Ennis Esmer
Noah
Dani Kind
Dani Kind
Jill
Hoodo Hersi
Hoodo Hersi
Zara
Dan Beirne
Dan Beirne
Tim
Stephen Alexander
Stephen Alexander
Nathan

スタッフ・制作会社

監督: Ally Pankiw

脚本: Ally Pankiw

音楽: Ames Bessada

制作: Jason Aita / Breann Smordin / James Weyman

撮影監督: Nina Djacic

制作会社: Barn 12 / Crave

TMDB ユーザーのレビュー

Louisa Moore - Screen Zealots
Louisa Moore - Screen Zealots
★ 6

With “I Used to Be Funny,” writer / director Ally Pankiw intertwines mystery and emotional depth to create a compelling narrative in her dark dramedy about a missing teenage girl and her friendship with a stand-up comedian with a debilitating case of PTSD. By exploring the various complexities of trauma, recovery, and healing in a refreshing, honest way, the film is poignant and feels highly personal. This is a story of emotional suffering, fractured relationships, and the long-term process of reclaiming happiness and a sense of identity. Revealing too much of the plot will spoil the film, so this review will be as vague as possible. Sam (Rachel Sennott) is an aspiring comedian who works as an au pair for Brooke (Olga Petsa). Told in flashbacks over a span of the last two years, the story begins with a news report that Brooke has gone missing. Sam, who is suffering from a traumatic event, decides to join in the search for the girl she used to nanny. Blending the past and present, it becomes clear why these two women are dealing with emotional wounds in their own unique way. This is the perfect vehicle for Sennott to showcase her range as an actor, and she delivers a powerful performance. she captures the complexity of her character with nuance, blending drama with a touch of comedy when her situation becomes too much to bear. While her story isn’t on its own very original, Pankiw is an outstanding storyteller, shifting seamlessly between the past and present. The dual timeline keeps the narrative unpredictable and surprising, which will keep you engaged during the film’s slower moments (it could use some tightening overall). The challenging subject matter can feel upsetting and heartbreaking, but it’s also so important to see stories that highlight essential aspects of the female experience. Sam and Brooke have a loving yet complicated relationship, and Pankiw explores this friendship with a heart-wrenching candor. “I Used to Be Funny” isn’t a film that’s easy to watch, but it gives a highly realistic portrayal of the slow and agonizing healing process after living through a traumatic experience. By: Louisa Moore / SCREEN ZEALOTS

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