FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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トランスフォーマー/ロストエイジ
トランスフォーマー/ロストエイジ

トランスフォーマー/ロストエイジ

“共に戦うか、滅びるか。”

20142h 45m★ 6.0サイエンスフィクションアクションアドベンチャー

あらすじ

元オートボット司令官センチネル・プライムとディセプティコン破壊大帝メガトロンが引き起こしたシカゴの惨劇から5年、すでにディセプティコンの大半は駆逐されたものの、オートボットとアメリカ政府の同盟も解消され、オートボット達は姿を消していた。テキサス州でしがない廃品回収業を営む発明家ケイド・イェーガーは仕事で赴いた映画館の中で眠っていたトレーラートラックを見つけ、それを自宅に持ち帰る。さっそくケイドはそのトラックを解体しようとした所、それがトランスフォーマーである事を知る。

作品考察・見どころ

マイケル・ベイの美学が極致に達した本作は、善悪の境界をあえて破壊し、種族を超えた絆の在り方を深く掘り下げた点に真髄があります。マーク・ウォールバーグが体現する父親としての情熱が、人間から裏切られたオートボットの怒りと共鳴し、従来のヒーロー像を超えた重厚でエモーショナルな熱量を生み出している点が最大の見どころです。 映像面では、伝説のダイナボット参戦により破壊のスケールは神話的領域へと進化しました。冷徹な美を放つ人造兵器との対比や、重厚な金属の質感が躍動するアクションは圧巻です。テクノロジーの傲慢さと魂の有無を問う強烈なメッセージが、壮絶な映像美と共に地響きのように鳴り響く、シリーズ屈指の野心作です。

興行成績

製作費: $210,000,000 (315億円)

興行収入: $1,104,054,072 (1656億円)

推定収支: $894,054,072 (1341億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

マーク・ウォールバーグ
マーク・ウォールバーグ
Cade Yeager
Peter Cullen
Peter Cullen
Optimus Prime (voice)
スタンリー・トゥッチ
スタンリー・トゥッチ
Joshua Joyce
ケルシー・グラマー
ケルシー・グラマー
Harold Attinger
Nicola Peltz Beckham
Nicola Peltz Beckham
Tessa Yeager
ジャック・レイナー
ジャック・レイナー
Shane Dyson
フランク・ウェルカー
フランク・ウェルカー
Galvatron (voice)
Sophia Myles
Sophia Myles
Darcy Tirrel
李冰冰
李冰冰
Su Yueming
タイタス・ウェリヴァー
タイタス・ウェリヴァー
James Savoy

スタッフ・制作会社

監督: マイケル・ベイ

脚本: アーレン・クルーガー

音楽: スティーブ・ジャブロンスキー

制作: Ian Bryce / Tom DeSanto / Lorenzo di Bonaventura

撮影監督: アモール・モクリ

制作会社: di Bonaventura Pictures / DeSanto/Murphy Productions / Ian Bryce Productions / Paramount Pictures / Hasbro

TMDB ユーザーのレビュー

Grant English
Grant English
★ 3

Is there any excuse available that will justify spending 2 hours, 45 minutes to watch this film? Or why I am gifting it three stars? It was a free rental at Redox. I normally enjoy Mark Wahlberg movies. I love Bumblebee. Do any of these hold water? I know one thing that doesn’t hold a lot of water – the story. Does it really matter at this point in the franchise? There are good guy Transformers called Autobots and bad guy Transformers called Decepticons and standing between them are stupid humans that betray their species for profit – normally it’s the U.S. Government. BUT wait – there is one hero that will change all of this and talk Optimus Prime (Autobot Boss Daddy) into fighting one last battle (for the fourth or fifth time – I’ve lost count at this point) while some hot-looking woman runs around explosions in short-shorts. You now know all you need to know about the entire _Transformer_ franchise. For this incarnation we trade out Shia LeBeouf for Mark Wahlberg and Courtney Fox for Nicola Pelz. And now for the twist…wait for it… Mark Wahlberg plays Nicola Pelz’s FATHER. That’s right – the FATHER. Yeah, it totally doesn’t work. At all. There’s a point in the movie about 90 minutes in where it looks like all the loose ends are going to get tied up and I thought: You know, that wasn’t so bad. Good action flick, a bit hoaky at points but watchable. And then the movie keeps going. And going. For another 90 minutes. And you basically watch the movie again except instead of it being in Texas and Chicago, it’s in China and Hong Kong. It’s too long, too many explosions, too many American flags and Texas flags in the background. This movie desperately needs an editor or it needs to be euthanized. Probably the latter. John Goodman and Ken Watanabe lend their voices serve as decent comic relief but there’s not a lot that can save this film. Bumblebee deserved better.

CinemaSerf
CinemaSerf
★ 5

I guess even Michael Bay must have realised that by the fourth outing, this franchise needed refreshing. To that end, the previously long-suffering cast have been allowed to hang up their screwdrivers and a new set of characters have been drafted in. They are led by "Cade" (an enthusiastic Mark Wahlberg). Now he just happens to buy an old truck and it just happens to turn out to be the long lost "Optimus Prime". Of course, there are still agencies hunting for the robots and soon he and daughter "Tessa" (Nicola Peltz Beckham) are on the run from a militia controlled by the manipulative industrialist "Joyce" (Stanley Tucci). Quite why it needs to take 2¾ hours to get to the standard denouement is anyone's guess. Despite the inclusion of some Tyrannosaur-bots, the film has the same relentless predictability as the "Autobots" and "Decepticons" (if you can spot the difference) go through the same repetitively staged combat scenes before an ending that relies unduly on human intervention (oh yes, and lots of sentimentality too) before we essentially start back at square one with the usual "Optimus" monologue concluding the proceedings. This has the added benefit of a truly terrible performance from the always over-rated Kelsey Grammer who had a few, entirely futile, goes at being a cinema baddie and unlike the other films which had a semblance of internationalism to them, this is now an entirely American affair that just bored me. Surely no more...?

r96sk
r96sk
★ 9

<em>'Transformers: Age of Extinction'</em>... what the hell happened here?! I actually seriously enjoyed a movie from this franchise, I'm honestly flabbergasted. It's written, directed and produced by the same people, though I wouldn't have predicted that whilst watching. This, to me, felt almost entirely different to the preceding films in the series, despite the aforementioned. The opening 45-60 minutes are especially entertaining, it does wobble in that regard once or twice but when all is said and done I actually had a lot of fun with this! I was, for the first time, actually invested into not just the robots but also the human characters too. It's a new bunch on the latter side and, despite minimally liking Shia LaBeouf & friends, I found this lot to be a big upgrade - the change also made it feel fresh. Mark Wahlberg is great as lead, Stanley Tucci and T.J. Miller (for once) are pluses as well. Nicola Peltz and Jack Reynor are the weakest members of those onscreen, though even then I was still marginally interested in them. Kelsey Grammer, despite playing a fairly standard antagonist, is good, as is Li Bingbing in a relatively smaller role. Peter Cullen, John Goodman and Ken Watanabe, meanwhile, impress with their voices. Upon starting this review, and still now, I was struggling to come up with negatives. I guess the near three-hour run time truly ought to be one, yet somehow it really... isn't, rather unexplainably. As for a criticism, the excessive product placement is all I've got, I'm afraid. I'm yet to see the reception that this got, as usual I'm hoping my thoughts are not an outlier in a sea of dissatisfaction. I'd guess it's rated as mid-ly as the prior installments, at worst. Not that any of this is all that important of course, because I enjoyed it and that's all that matters. I did not expect to be saying that, at all! *checks reception*: Welp. An outlier I seemingly am. Then again, 12k (on Letterboxd) others agree with my rating (and it incredibly again made a billion on the big screen, I see) so I guess it isn't as bad as it looks. Some uncertainty has crept into my mind, I'm thinking it over and comparing it with other films I've rated similarly and... it's not even in doubt. Wild.

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