FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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若草の頃
若草の頃

若草の頃

19441h 54m★ 7.0コメディドラマロマンスファミリー

あらすじ

セント・ルイスを愛するスミス一家。次女のエスターは隣に引っ越してきたジョンを想い、あれこれ画策してやっと親しくなった。だが、父が突然ニューヨーク転勤を命じられ……。ジュディ・ガーランド主演の不朽のミュージカル映画。

作品考察・見どころ

ヴィンセント・ミネリ監督が魔法をかけたような色彩の洪水は、単なる装飾を超え、家族の記憶を鮮烈に呼び覚ます装置として機能しています。四季の移ろいを情緒豊かに描く演出は、過ぎゆく時間への惜別と、それでも変わらぬ愛への確信に満ちており、観る者の魂を優しく包み込みます。 ジュディ・ガーランドの圧倒的な歌唱は、幸福な日常が揺らぐ瞬間の切なさを浮き彫りにし、子役マーガレット・オブライエンの瑞々しい演技が作品に深い生命力を吹き込んでいます。変化する時代の中で、帰るべき場所があることの尊さを謳い上げる本作は、今こそ見直されるべき人生を肯定する至高の讃歌です。

興行成績

製作費: $1,707,561 (3億円)

興行収入: $7,566,000 (11億円)

推定収支: $5,858,439 (9億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ジュディ・ガーランド
ジュディ・ガーランド
Esther Smith
マーガレット・オブライエン
マーガレット・オブライエン
'Tootie' Smith
Mary Astor
Mary Astor
Anna Smith
Lucille Bremer
Lucille Bremer
Rose Smith
Leon Ames
Leon Ames
Alonzo Smith
Tom Drake
Tom Drake
John Truett
Marjorie Main
Marjorie Main
Katie
Harry Davenport
Harry Davenport
Grandpa
June Lockhart
June Lockhart
Lucille Ballard
Henry H. Daniels Jr.
Henry H. Daniels Jr.
Lon Smith Jr.

スタッフ・制作会社

監督: Vincente Minnelli

脚本: Irving Brecher / Fred F. Finklehoffe / Sally Benson

音楽: Roger Edens / Conrad Salinger

制作: Arthur Freed

撮影監督: George J. Folsey

制作会社: Metro-Goldwyn-Mayer

TMDB ユーザーのレビュー

John Chard
John Chard
★ 9

A bit of cake and a song to blow away the wind of change. A film that is firmly ticking all the boxes for those looking for a family classic to admire and tap your feet along with. This delightful musical deals with one family and their struggle to deal with the changing of the times at the turn of the century. When the Father is requested to move to New York permanently with his job, the rest of the family are not that keen to leave their memories and their beloved home in St. Louis, and in to the mix is the varying degrees of blossoming love involving the elder daughters and their respective beaus. This film is just so gorgeous on many fronts, the colour beautifully realises the tremendous scope director Vincent Minnelli brings with his recreation of the era, the attention to detail is quality supreme. The story is good and earthy, a sort of tale to have the viewer hankering for the good old days before the world got itself in one big hurry. The songs are crackers, enjoy standards such as The Boy Next Door, The Trolley Song, and the simply precious Have Yourself A Merry Little Christmas. The cast are across the board doing good work but it is of course Judy Garland who carries the movie firmly on her slender shoulders, and here she has never been prettier, and her voice is practically as good as it ever was in her career. A film for all the family to enjoy, a film that is from the top echelons of musicals, and a film that simply demands you relax and enjoy. Right, I'm off to get a piece of cake... 9/10

CinemaSerf
CinemaSerf
★ 7

The trick with this film is not to look for anything serious or complicated in it. It is an engaging early 20th century bit of Americana - a charming costume drama peppered with gentle comedy, some fantastic songs, and Judy Garland probably the most comfortable in any role that I have sever seen her play (except, perhaps in "Easter Parade" released 4 years later in 1948). The story is set across a year in the life of the well-to-do "Smith" family from St. Louis. Mary Astor and Leon Ames try to raise their daughters "Esther" (Garland), "Rose" (Lucille Bremer) and the youngest, "Tootie" (Margaret O'Brien), whom I have to say stole most of the scenes the she was in (and I really don't like children in films). It tackles courtship - and a fairly clumsily carried out courtship at that - with Tom Drake ("Truett") and the poor men in the family - son "Lon Jr." (Henry Daniels) and "Grandpa" (Harry Davenport) are consistently run rings around... "Have Yourself a Merry Little Christmas", "The Trolley Song" and "Skip to My Lou" keep the toes-a-tapping - well maybe not the first one, so much - and the ensemble provide for a colourful, entertaining piece of cinema that Vincente Minnelli can be proud of. Sure it is a bit gloopy at times, but that's part of the overall sentiment of the film so if you have any cynical bones in your body - perhaps this is not for you.

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