FindKey

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Joe... cercati un posto per morire!
Joe... cercati un posto per morire!

Joe... cercati un posto per morire!

19681h 29m★ 4.5西洋

あらすじ

No synopsis available.

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スタッフ・制作会社

監督: Giuliano Carnimeo

脚本: Leonardo Benvenuti / Hugo Fregonese / Al Hine

音楽: Gianni Ferrio

制作: Hugo Fregonese

撮影監督: Riccardo Pallottini

制作会社: Atlantis Films / Aico Films

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キャスト

Jeffrey Hunter
Jeffrey Hunter
Joe Collins
Pascale Petit
Pascale Petit
Lisa Martin
Reza Fazeli
Reza Fazeli
Paco
Nello Pazzafini
Nello Pazzafini
Fernando
No Image
Adolfo Lastretti
Rev. Riley
Piero Lulli
Piero Lulli
Paul Martin
Giovanni Pallavicino
Giovanni Pallavicino
Gomez
No Image
Mario Dardanelli
Chato
Umberto Di Grazia
Umberto Di Grazia
Bandit
No Image
Anthony Blod
Bobo

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 5

This is actually quite a sad film to watch. Not because the story is sad, but because it illustrates just how far (down) Jeffery Hunter had come since his hey-day. A couple are defending their gold mine from bandits (using dynamite!) when the husband becomes trapped under a collapsed wagon. Now rather than just use her horse to remove the offending bits of wood, "Lisa" (Pascale Petit) sets off to find some folks who will come to her aid. Unsurprisingly, she alights on a group of miscreants who are quite happy to help so long as they get her gold, herself - or, ideally, both! It might be, though, that "Joe" (Hunter) - a lapsed Confederate soldier - could have just a little more chivalry than the others and, of course, when they arrive at the mine we are soon to find out! Add to the mix, the fact that the original attacking banditos - lead by "Chato" (Mario Dardanelli) have not given up their own ambitions to seize the gold and we have a sort of explosive siege western where nobody can trust anyone. Adolfo Lastretti is quite entertaining as ruthless the "Rev. Riley", but otherwise this is a cheap and cheerful spaghetti-style western that was clearly made quickly, on a budget, and with scant regard to a decent script or production values. There's no chemistry at all between Hunter and Petit and indeed the whole thing has a rather unpalatable seediness to it that I found distinctly off-putting.

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