バイオリニストのシドニー・ウェルズは、幼い頃に事故で視力を失っていた。日常生活に支障はなかったが、姉の勧めで角膜手術を受けることに。手術は無事に成功。だが視力を取り戻していくうちに、彼女は「見えるはずのないもの」まで見えていることに気付く。
AIが作品の魅力を深く読み解いています
製作費: $12,000,000 (18億円)
興行収入: $58,010,320 (87億円)
推定収支: $46,010,320 (69億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: David Moreau / Xavier Palud
脚本: Sebastian Gutierrez / 彭順 / 彭發
音楽: Marco Beltrami
制作: ポーラ・ワグナー / ドン・グレンジャー / Michelle Manning
撮影監督: Jeffrey Jur
制作会社: Paramount Vantage / VN Productions / Cruise/Wagner Productions / Vertigo Entertainment / Lionsgate
The Eye had the potential to be a gripping psychological horror, but it fell short in depth and originality. The plot follows a familiar formula without bringing much new to the table, making it predictable despite some intriguing moments. The directing is solid, with well-timed transitions and a smooth shift into the second act. Cinematography stands out in certain scenes, especially with the contrast between reality and visions, and small production details show attention to realism. However, while the visuals are effective, they don't fully compensate for the film’s lack of emotional weight. Jessica Alba’s performance is serviceable but lacks the intensity needed to carry a psychological horror film. She maintains the same on-screen presence she’s known for, but it doesn’t elevate the script, which already struggles with depth. The supporting cast does a decent job, though no one truly stands out. The script itself feels basic, relying on surface-level tension rather than digging into the psychological aspects of the story. The sound design helps build atmosphere, but it doesn’t leave a lasting impact. Overall, The Eye is watchable with good production value and some eerie moments, but it doesn’t push boundaries or leave a strong impression.
