“父よ、少年よ、男たちよ―― 錨を上げろ! 舵を取れ!!”
15歳の少年ジムは惑星モントレッサで母と2人暮らし。彼の父は、ジムがまだ幼い頃に家族を捨てて宇宙へと旅立ってしまった。ジムはその影響からか、トラブルばかり起こして母を困らせている。そんなある日、彼の家の近くに宇宙船が不時着。ジムは船内にいた瀕死の男を救出する。この時、男からある箱を渡されたジムは、男を追ってきた海賊の追跡を逃れ、宇宙物理学者ドップラー博士のもとへ辿り着く。そしてその箱を調べてみると、莫大な財宝が眠るという伝説の“トレジャー・プラネット”への地図が入っていた。
製作費: $140,000,000 (210億円)
興行収入: $109,578,115 (164億円)
推定収支: $-30,421,885 (-46億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Ron Clements / ジョン・マスカー
脚本: Ron Clements / ジョン・マスカー / Rob Edwards
制作: Ron Clements / Roy Conli / ジョン・マスカー
制作会社: Walt Disney Pictures
Unequivocally, unmistakably, undeniably Disney's greatest animated film. A masterpiece, as far as I'm concerned. Long read ahead! Film and reviews are all about opinions, which is only a positive thing. I, for one, though have yet to find a better animation than this. No doubt I'm probably partly clouded by nostalgia, but even a tonne of years later I still remember how blown away I was when I first watched it. Nothing's changed. Where to start? I love every single detail about this film, for which there are many. Not only does it improve upon the studio's earlier 1950 production about Robert Louis Stevenson's 1883 novel, but it manages to create an incredibly touching, amusing and rather thrilling story for all. They don't rely on the usual, overdone Disney front and center romance to do it either. It's a story of a young kid coming-of-age into the world. You really go on a journey with Jim Hawkins, who hadn't had the most happiest childhood. We see him grow into a man across just 95 short minutes. Joseph Gordon-Levitt brings Jim to life superbly, no surprise to see he has done other great things in his career. Gordon-Levitt isn't the only outstanding performer here, with Brian Murray and Emma Thompson showing their talents in the roles of John Silver and Capt. Amelia. I adore the dynamic between Silver and Hawkins, Murray is truly brilliant. Thompson is great in her role, also. Even below those aforementioned names, you have memorable characters in Delbert (David Hyde Pierce), B.E.N. (Martin Short) and Mr. Arrow (Roscoe Lee Browne). Morph (Dane Davis) is a cracking little sidekick, too. Away from the cast, you also have the sensational animation. They mix hand-drawn 2D and computer generated 3D, which comes out exquisitely. Sure some of it hasn't aged impeccably compared to now, but it all to this day still looks utterly stunning. I love the attention to detail. That's not all. How about that music? I couldn't tell you the amount of times I've listened to that soundtrack down the years, it's so beautifully crafted by James Newton Howard and John Rzeznik; the latter's, as part of the Goo Goo Dolls, "I'm Still Here" fits so, so well. Can you tell how much fondness I hold for this? It's fantastic! Did Disney mishandle it? Sure. Does it deserves more respect? Definitely. However, I'm kinda glad they just let Ron Clements and John Musker do their thing. Heavy Disney interference could've ruined it. The fact this has zero pointless sequels is marvellous, even if it's for the wrong reasons. There are minor rumours they plan to live-action this. Normally I'd argue against classics being remade, but I think this 2002 production is in a win-win position in that regard. If it's a big success it'll be good for it, if it's terrible then it'll put more eyes on the original. It's kinda funny, I don't see myself as a Disney fan and yet my two favourites films (this + <em>'Pirates of the Caribbean: The Curse of the Black Pearl'</em>) are from this studio - and both pirate-y, interestingly. Hmm. Go watch <em>'Treasure Planet'</em>!
Loosely based on one of my favourite stories, this version of Robert Louis Stevenson's "Treasure Island" sees the young Jim Hawkins on a magical adventure on a space galleon. Befriended by the cyborg cook "Silver" they face all sorts of perils on their journey before arriving at the "Treasure Planet" whereupon the young lad realises that his pal isn't quite so trustworthy. It's a great adventure story, the voice talents are fun making their mischievous characters engaging to watch - and the animation, though maybe not quite as vivid and detailed as I would have liked, still keeps the narrative alive and thriving. Still not a patch on the superb Robert Newton version (1950) but still a very entertaining watch.
This is one of my childhood, i love this,the story is fabulous it's a amazing to watch i would love to rewatch it all over again👍😍
