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The Gun Runners
The Gun Runners

The Gun Runners

19581h 23m★ 6.0アクション犯罪スリラードラマ

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Don Siegel

脚本: Daniel Mainwaring / Ernest Hemingway / Paul Monash

音楽: Leith Stevens

制作: Clarence Greene

撮影監督: Hal Mohr

制作会社: Seven Arts Productions / United Artists

口コミ

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キャスト

Audie Murphy
Audie Murphy
Sam Martin
Eddie Albert
Eddie Albert
Hanagan
Patricia Owens
Patricia Owens
Lucy Martin
リチャード・ジャッケル
リチャード・ジャッケル
Blond Henchman on Boat
Paul Birch
Paul Birch
Sy Phillips
Jack Elam
Jack Elam
Arnold
Lee Strasberg
Lee Strasberg
Rhett
Everett Sloane
Everett Sloane
Harvey
John Qualen
John Qualen
Pop
ジョン・A・アロンゾ
ジョン・A・アロンゾ
Soldier in Car (uncredited)

TMDB ユーザーのレビュー

John Chard
John Chard
★ 6

A man can't turn bad if it ain't in him to be bad. And it ain't in you, Sam. The Gun Runners is directed by Don Siegel and adapted to screenplay by Daniel Mainwaring and Paul Monash from the Ernest Hemmingway novel, "To Have and Have Not". It stars Audie Murphy, Eddie Albert, Patricia Owens, Everett Sloane, Richard Jaeckel, Paul Birch and Jack Elam. Music is by Leith Stevens and cinematography by Hal Mohr. It's The Cuban Revolution and boat owner Sam Martin (Murphy) finds himself unwittingly mixed up in gun running... The Hemmingway novel had already been adapted with considerable success twice previously (To Have and Have Not (1944)/The Breaking Point (1950)), so why another variant on the source was commissioned is a bit of a mystery. As it happens, it's no dead loss without pulling up any trees. Thematic heart comes by way of Sam Martin's moral compass, which is jarred when he learns he is quite simply in over his head. With an adoring wife at home (Owens) and his alcoholic best friend in tow (Sloane as usual good value), the human interest factor is above average. Albert gives quality villainy, with henchmen by his side, and the pic stands out for the moments of violence that take one by surprise. There's some poor back projection work, but this is offset by some lovely location photography, with Mohr (Phantom of the Opera/The Lost Moment) also bringing some nifty monochrome shadings to key character interactions. Yet ultimately the plus point is with Murphy, who really pushes himself for Siegel, his performance deserved a better film, but as it is he lifts it above average and makes it a must see for his fans. 6/10

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