FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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Passages
Passages

Passages

20231h 32m★ 6.3ロマンスドラマ

あらすじ

No synopsis available.

作品考察・見どころ

本作は、愛の傲慢さと脆さを冷徹かつ官能的に描いた傑作です。アイラ・サックス監督は、感情の揺らぎを肉体の摩擦として捉え、観客を共感と嫌悪が入り混じる濃密な心理戦へと誘います。スクリーンが映し出すのは、美しくも残酷なほど自己中心的な欲望の真実です。 フランツ・ロゴウスキ、ベン・ウィショー、アデル・エグザルコプロスの競演は圧巻で、抑制と爆発が交錯する演技から目が離せません。彼らは、愛が支配欲や孤独への恐怖と紙一重であることを突きつけます。傷つきながらも求め合う人間の本能的な業を炙り出した、極めて贅沢な映像体験といえるでしょう。

興行成績

興行収入: $1,103,374 (2億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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予告・トレイラー

キャスト

フランツ・ロゴウスキ
フランツ・ロゴウスキ
Tomas
ベン・ウィショー
ベン・ウィショー
Martin
アデル・エグザルコプロス
アデル・エグザルコプロス
Agathe
Erwan Kepoa Falé
Erwan Kepoa Falé
Amad
Théo Cholbi
Théo Cholbi
Jérémie
Arcadi Radeff
Arcadi Radeff
Dimo
No Image
Léa Boublil
Erica
No Image
Thibault Carterot
Thibault
No Image
Tony Daoud
Tony
No Image
Theo Gabilloux
Young Actor

スタッフ・制作会社

監督: Ira Sachs

脚本: Mauricio Zacharias / Ira Sachs

制作: Saïd Ben Saïd / Michel Merkt / Kevin Chneiweiss

撮影監督: Josée Deshaies

制作会社: SBS Productions / KNM

TMDB ユーザーのレビュー

Brent Marchant
Brent Marchant
★ 7

Intimacy can be a beautiful thing. However, it can also become something messy, hurtful and emotionally devastating when tainted by self-serving agendas, irresponsible intentions, or reckless, short-sighted experimentation, influences that can purposely or unwittingly end up wreaking widespread havoc. Such is the case in writer-director Ira Sachs’s new domestic drama about a flamboyant, free-spirited gay male filmmaker, Tomas (Franz Rogowski), who impulsively jumps into an impromptu fling with a woman, Agathe (Adèle Exarchopoulos), a relationship that leaves his longtime husband, Martin (Ben Whishaw), unsure of what the couple’s future might hold. As time passes, circumstances grow increasingly complicated as each member of this unlikely trio tries to sort out what lies ahead, particularly with the emergence of Tomas’s ever-growing thoughtless capriciousness. Some viewers may look upon the story’s shockingly reprehensible developments as improbable and appalling, but, sadly, as anyone who has ever watched tabloid TV can probably attest, the events depicted here might not appear as far-fetched as one might think. In that respect, this offering presents a bold, courageous, honest look at what can go awry in situations like this, an account loaded with incensed outrage, unbridled ire, biting humor and more than a little cynicism. It’s a narrative that some audience members may find offensive, even deplorable, but, like a horrific car accident, it’s also something that many viewers might find difficult to look away from, thanks in large part to the wholly convincing performances of the three protagonists. Sensitive viewers should be aware that the film includes a fair amount of explicit and provocative sexual content, so those easily offended by such material may not want to put this one on their watch lists. However, for those who appreciate domestic dramas that hold nothing back and that aren’t afraid to get down and dirty in their portrayals of what can happen, this release is about as good as any out there. Just be prepared to be left with your jaw agape – and your head spinning.

CinemaSerf
CinemaSerf
★ 6

"Tomas" (Franz Rogowski) and husband "Martin" (Ben Whishaw) find their marriage severley tested when the former man starts to fall for "Agathe" (Adèle Exarchopoulos) and that passion drives "Martin" into the arms of "Amad" (Erwan Kepoa Falé). What now ensues is, frankly, a rather dull introspective of characters that didn't really leap off the screen at me. Rogowski can be a charismatic actor, but here he offers us a rather unremarkable characterisation of a horny man who wants to have his cake and eat it. Whishaw is, routinely these days on screen, just a bit weedy and presents another weakly constructed individual who seems content not to fight for the man he's supposed to love. It's all just rolls along without really catching fire, it's over-scripted and though it may well have a visual authenticity to it, it's all just a bit so what? The production and pacing all contribute to the general ennui of the whole thing and to be honest, I was just a bit disappointed with this rather lacklustre enterprise. I saw it at the cinema this week, but I suspect even the most ardent fans of these three can wait for a television screening.

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