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Beware of Pity
Beware of Pity

Beware of Pity

19461h 42m★ 6.5ドラマロマンス

あらすじ

No synopsis available.

作品考察・見どころ

本作が描き出すのは、同情という善意が牙を剥く瞬間の恐ろしさです。リリー・パルマー演じる令嬢の渇望と、将校の優柔不断な慈悲が織りなす心理戦は、単なる愛を超えた極限のドラマです。自己満足の同情がいかに相手を破滅へ導くかという鋭いメッセージは、現代人の胸にも深く突き刺さります。 シュテファン・ツヴァイクの原作を、本作は映像特有の閉塞感で見事に昇華させました。豪華な屋敷という舞台を活かした演出は、逃げ場のない悲劇を鮮明に浮き彫りにしています。沈黙の中に漂う残酷な情愛を、銀幕の光と影が鮮烈に具現化した、映像でしか到達し得ない心理劇の極致です。

口コミ

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キャスト

Lilli Palmer
Lilli Palmer
Baroness Edith de Kekesfalva
Albert Lieven
Albert Lieven
Lt. Anton Marek
Cedric Hardwicke
Cedric Hardwicke
Dr. Albert Condor
Gladys Cooper
Gladys Cooper
Mrs. Klara Condor
Linden Travers
Linden Travers
Ilona Domansky
Ernest Thesiger
Ernest Thesiger
Baron Emil de Kekesfalva
Emrys Jones
Emrys Jones
Lt. Joszi Molnar
Ralph Truman
Ralph Truman
Maj. Sandor Balinkay
Fritz Wendhausen
Fritz Wendhausen
Josef
John Salew
John Salew
Col. Franz Bubencic

スタッフ・制作会社

監督: Maurice Elvey

脚本: Elizabeth Baron / Stefan Zweig / W.P. Lipscomb

音楽: Nicholas Brodszky

制作: Filippo Del Giudice / Maurice Elvey / W.P. Lipscomb

撮影監督: Derick Williams

制作会社: Two Cities Films / J. Arthur Rank Organisation

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

Albert Lieven is efficient here as the Austrian officer "Marek" who meets the glamorous "Baroness Edith" (Lilli Palmer) at a lavish dance. Asking her for a waltz, he soon discovers that she has been paralysed. The two chat and remain in touch over the coming months where she falls well and truly in love. Thing is, he doesn't quite reciprocate and when she accidentally discovers this, she runs away, distressed and alone, and her thoughts turn to suicide. The title is quite apt here - it illustrates the dangers of, however innocently, leading someone on with gestures of affection and kindness when they don't have the necessary reality filters to appreciate the distinction between fondness and amour. It's set just before the assassination of Archduke Franz Ferdinand, so has many of the opulent settings of the Hapsburg court as a backdrop - the costumes and settings all look grand. There is also an interesting sub-plot with dedicated doctor "Kondor" (Sir Cedric Hardwicke) and his blind wife "Klara" (a lovely, nuanced effort from Gladys Cooper) with the latter proving a vital conduit for the young man to realise just what his relationship with "Edith" really means... It's rather wordy this, and there are maybe just too many characters that rather diffuse the narrative a little too much - but if you enjoy historical melodrama with a fine period score from Nicholas Brodsky then you ought to enjoy this rather superior drama with a conscience.

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