FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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20231h 44m★ 6.2アクションスリラー犯罪

あらすじ

No synopsis available.

作品考察・見どころ

ジョン・ウー監督が放つ本作の真髄は、台詞を一切排除した「純粋な視覚言語」への回帰です。銃声と吐息だけが響く静寂の戦場は、観る者の聴覚を研ぎ澄ませ、主人公の怒りと哀しみをダイレクトに突き刺します。この大胆な演出こそが、本作を唯一無二のアクション芸術へと昇華させています。 主演のジョエル・キナマンによる、言葉を封印した肉体表現は圧巻です。奪われた「声」の代わりに全細胞を駆動させる演技は、言葉以上に雄弁なエモーションを語ります。復讐の狂気に取り憑かれた男の魂の叫びが、バイオレンスの中で結晶化する光景は、映画表現の原点にある力強さを再認識させてくれるはずです。

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キャスト

ジョエル・キナマン
ジョエル・キナマン
Brian Godlock
キッド・カディ
キッド・カディ
Detective Dennis Vassel
Harold Torres
Harold Torres
Playa
カタリーナ・サンディノ・モレノ
カタリーナ・サンディノ・モレノ
Saya
Valeria Santaella
Valeria Santaella
Venus
Vinny O'Brien
Vinny O'Brien
Anthony Barelo Esq.
Acoyani Chacon
Acoyani Chacon
Webface
吳飛霞
吳飛霞
Policewoman
No Image
Alejandro De Los Monteros
Webface's Wingman
No Image
Robert 'Rock' Galotti
Gun Range Trainer

スタッフ・制作会社

監督: ジョン・ウー

脚本: Robert Archer Lynn

音楽: Marco Beltrami

制作: Mike Gabrawy / Joe Gatta / Ruzanna Kegeyan

撮影監督: Sharone Meir

制作会社: Thunder Road / Capstone Group / A Better Tomorrow Films / Lionsgate

TMDB ユーザーのレビュー

MovieGuys
MovieGuys
★ 6

This is a rather surprising film from Hong Kong director John Woo. Known for up beat, fast paced, gritty action films, Silent Night is a rather sombre, departure from what fans, like myself, have come to expect. The back story is rather sad and I feel this film dwells on this aspect to the point of "almost" becoming obsessively morose. I appreciate the key characters motivation is based on a tragic event but constantly re-visiting this aspect of the back story, tends to drag the film down emotionally, throwing bucket after bucket of cold water, on what is supposed to be an action romp. Action sequences are well done, fight scenes and gun play of the predictable John Woo style. Its far from boring once it gets under way. In summary, watchable but for myself, a little too morose and sad, to really offer up a truly enjoyable action romp.

BornKnight
BornKnight
★ 7

First movie of John Woo in Hollywood since Paycheck in 2003 (that was an average movie). This movie is almost all based on the expression of the protagonist and secondary characters, even being previsible and a bit melodramatic (but the melodrama is dispersed thorough the movie), without any line whatsoever is something to be praised and offstream. A father suffers the sudden loss of his son in a gangs shootout in a fictional city on Texas, and barely surviving trying to catch the killers - no explanation why he have those skills in the start of the story and in the end being all movie a preparation for revenge is a big no-no on the script thought. But is enjoyable especially if you like revenge is better served cold movies. The tension is present and even being previsible the movie delivers the satisfaction of revenge in the end, building up tension till the end (I liked the final scene btw - it was something that was bothering me, and that little bit was explained [ I mean his reactions to the mother that suffered such a hard loss too ] ). Being a John Woo movie you expect very electrifying action scenes and you get those on sequences on the start, middle and especially end as it should be. Really nice and bloody btw - and for the acting of Joel Kinnaman as the only protagonist I decided to gave the movie one star more than it would be without him. So a 7.0 out 1f 10.0 / B for this one. If you crave action and revenge for Christmas this is it (speaking of Xmas, it only serves as a more dramatic starting point for the story - it could have been any time of the year, but hey we need something for the season every year right?).

Chandler Danier
Chandler Danier
★ 7

It's a Woo film. Very predictable. Somewhat stale but still got the double guns. Real good double guns mr Detective. I think that was the highlight of the film. No way that guy was listening to that music and dancing like that. I didn't really watch the first hour, honestly. It's all pretty background quality.

MarciaClarke
MarciaClarke
★ 2

Best part was watching Kinnaman running down the street slow mo with the nose on his rudolph sweater bobbing up and down. Also when he's in his sloppy grey sweatpants working out. Pretty good. I was ok with the over the top slo mo drama action, I get that's the style, but where this movie lost me was in not setting up a remotely believable motivation for daddy becoming an overnight serial killer. The motivation of all the baddies is also non-existent. The first thing that really irritated me was that when he gets home after months of rehab and he's a clearly mentally damaged traumatized person, and his wife hasn't cleaned up the christmas tree and presents for the dead kid. WHAT? I get that she has her own trauma, but wtf, like, she's back at work and seemingly a functional person. The only way that makes sense is if she wanted him to be triggered, which we see later in her response to his psycho killer behaviour is clearly not the case. And then the whole pretense that no one really talks and there's no dialogue... I mean... it might make sense if he also lost his hearing. But he didn't. Like, a MAJOR device that's used through the whole movie makes NO SENSE. Really makes it quite a slog and as the kill plot intensifies, it actually becomes more and more boring.

pimpskitters
pimpskitters
★ 4

There are some nice shots in this movie, gun range peephole was fun, and some decent car chases and good action direction from time to time. Last third really stank. Some pretty awful color saturation throughout and crappy cgi brought it down too. Gimmick of no talking was cute enough i guess, but confusing. If DiCaprio can grunt his way into an oscar then I don't see why Kinnaman cant.

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