Corsage
あらすじ
No synopsis available.
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $7,580,600 (11億円)
興行収入: $3,092,534 (5億円)
推定収支: $-4,488,066 (-7億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $7,580,600 (11億円)
興行収入: $3,092,534 (5億円)
推定収支: $-4,488,066 (-7億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Marie Kreutzer
脚本: Marie Kreutzer
音楽: Camille
制作: Alexander Glehr / Johanna Scherz / ヴィッキー・クリープス
撮影監督: ジュディス・カウフマン
制作会社: Film AG / Kazak Productions / Komplizen Film / Samsa Film / ZDF/Arte
The danger with fictional accounts of the lives of real people, is that it is frequently all to easy to poke holes in the plot. This is one such film that takes just a little too much creative licence with the the life of the Empress Elisabeth (Vicky Krieps). Wife of the famed Austro-Hungarian Emperor Franz Josef (Florian Teichtmeister), this film follows a supposed year in the life of this curious historical figure who, having suffered a family tragedy and enduring a rather estranged emotional relationship with her husband, spends much of her life obsessing with her weight and seeking solitude. Krieps is on good form, she creates a persona for her character that is effective to watch, but the mixture of modern and period scenarios (old buildings with modern fire doors; a cross-channel ferry!) seems anachronistic - to what end? The buildings in which she and her family inhabit have none of the opulence and grandeur of the Hofburg or Prague Castle, indeed the British home of her horse-master "Bay" (Colin Morgan) looks little better that a ramshackle ruin - and this is incongruous with the way we know she lived her life. Reclusive, yes, but still in splendour. It is also a particularly unremarkable year in her life to have chosen to illustrate. Not the previous ones where turbulence within the Imperial family reigned, not the famed "Mayerling" period which was ultimately held responsible for the final decline of this lady. There is also an highly speculative portrayal of her relationship with Bavaria's equally famous King Ludwig II (Manuel Rubey) that adds little. The denouement itself is presented here in a rather too bizarre fashion that disappointingly topped off this interesting but frankly flat and pace-less drama that offers us a glimpse of this intriguing woman, but little more of substance. Pity.
