FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
© 2026 Bennu Inc.TMDB Logo

本サービスはTMDB APIを利用していますが、TMDBによる推奨・認定を受けたものではありません。

ドラゴンハート
ドラゴンハート

ドラゴンハート

19961h 43m★ 6.5ファンタジーアクションアドベンチャードラマ

あらすじ

『ドラゴンハート』(英語: Dragonheart)は、1996年に公開されたロブ・コーエンによるアメリカ合衆国の映画作品。ドラゴンが存在する中世のヨーロッパを舞台としたファンタジー映画。続編として、『ドラゴンハート 新たなる旅立ち』『ドラゴンハート 最後の闘い』が製作されている。

作品考察・見どころ

AIが作品の魅力を深く読み解いています

興行成績

製作費: $57,000,000 (86億円)

興行収入: $115,267,375 (173億円)

推定収支: $58,267,375 (87億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

あなたの評価を記録する

予告・トレイラー

配信サービス

レンタル・購入

Amazon Video
Apple TV Store
Google Play Movies
FOD

キャスト

デニス・クエイド
デニス・クエイド
Bowen
ショーン・コネリー
ショーン・コネリー
Draco (voice)
デヴィッド・シューリス
デヴィッド・シューリス
King Einon
Dina Meyer
Dina Meyer
Kara
ピート・ポスルスウェイト
ピート・ポスルスウェイト
Gilbert
ジェイソン・アイザックス
ジェイソン・アイザックス
Lord Felton
Brian Thompson
Brian Thompson
Brok
Julie Christie
Julie Christie
Queen Aislinn
Lee Oakes
Lee Oakes
Young (Prince) Einon
No Image
Wolf Christian
Hewe

スタッフ・制作会社

監督: Rob Cohen

脚本: Charles Edward Pogue / Patrick Read Johnson

音楽: Randy Edelman

制作: Raffaella De Laurentiis / Patrick Read Johnson / David Rotman

撮影監督: David Eggby

制作会社: Universal Pictures

TMDB ユーザーのレビュー

Filipe Manuel Neto
Filipe Manuel Neto
★ 7

**A good piece of family entertainment.** This is one of those regular fantasy films that were a hit when they hit television during the 90s, becoming a fairly regular presence on weekend afternoons and holidays. Easily appealing to children and young people, it is a family film that entertains and moves. The film is set in an uncertain period of the Middle Ages, in a legendary European kingdom where the young and cruel Einon reigns with an iron fist and no heart. As a teenager, his life had been saved by a dragon that gave him half of its own heart. Now, he ignores his master's lessons of honor and bravery, and rules like a tyrant. However, the population is fed up with his excesses and Bowen, the king's former tutor, decides to lead the revolt against him with the help of a dragon, the last one still alive, and precisely the one that saved the king. I'm not going to waste a lot of time on this film because it's far from being a relevant work for those involved, even though its popularity at the time was remarkable. There are many nice and well done things in this film, starting with the script. Yes, it's a cheesy story, it looks a lot like Robin Hood and other like that, it's full of clichés and the humor is, to say the least, off-putting. But the truth is that it entertains and has enough fantasy and emotion to delight us. There are some good fight scenes, the castle attack sequence is exciting and intense, the special effects and the CGI (a new technology, at the time) used are quite worthy and do a very good job considering the time and resources. We also have excellent cinematography and a memorable soundtrack, truly epic, which was then used for a thousand and one uses, as we know. The actors, despite not shining, make a credible effort and are reasonably committed. There are some well-known names here, starting with the dragon's voice, lent by the unmistakable Sir Sean Connery, in one of the best voice dubbing work done by him. Dennis Quaid was capable enough in the role of a mature hero, already not very young, but it is the quality of David Thewlis that surprises us and steals all the attention. The actor brought the perfidious King Einon to life in a truly remarkable way, with commitment and emotion, giving him touches of cynicism, sadism and madness. I have a very strong feeling that Thewlis drew his inspiration from Peter Ustinov's wonderful performance in “Quo Vadis”, in the role of Nero. Finally, Pete Postlethwaite seems to really enjoy the character he was lucky enough to play, a friendly monk with the air of a great troubadour. Unfortunately, I didn't like Dina Meyer at all: she doesn't make an effort for her character and the romantic chemistry with Quaid is absolutely nil. I also missed the contextualization, in time and space: as the film is pure fantasy, we don't even have the notion of a concrete place or time, in order to be able to copy clothes, technologies, architecture. Although the movie had good sets and costumes, I can't say that I really liked them because they were too fanciful.

おすすめの作品