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Dual Alibi
Dual Alibi

Dual Alibi

19471h 21m★ 5.7犯罪ドラマ

あらすじ

No synopsis available.

作品考察・見どころ

ハーバート・ロムが一人二役で挑む双子の葛藤こそが本作の白眉です。単なる犯罪劇に留まらず、同じ貌を持つ二人が織りなす「個の喪失」と「鏡像の恐怖」を、ロムの静謐かつ凄みのある演技が鮮烈に描き出しています。観る者は、真実がアイデンティティの影に溶けていくスリルに、片時も目が離せなくなるはずです。 サーカスという虚飾の舞台を背景に、光と影を強調した映像美が人間の業を浮き彫りにします。完璧なアリバイが崩れゆく瞬間の緊迫感は、緻密な演出の賜物と言えるでしょう。視覚的な欺瞞を逆手に取った心理戦の果てに、正義と倫理の境界線を揺さぶる強烈なメッセージが胸に突き刺さる、格調高き傑作サスペンスです。

スタッフ・制作会社

監督: Alfred Travers

脚本: Vivienne Adès / Alfred Travers / Renalt Capes

音楽: Stanley Black

制作: Louis H. Jackson

撮影監督: James Wilson

制作会社: British National Films

口コミ

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キャスト

Herbert Lom
Herbert Lom
Jules de Lisle / Georges de Lisle
Phyllis Dixey
Phyllis Dixey
Penny aka Gloria Gregg
Terence de Marney
Terence de Marney
Mike Bergen
Ronald Frankau
Ronald Frankau
Vincent Barney
Abraham Sofaer
Abraham Sofaer
French Judge
Eugene Deckers
Eugene Deckers
French Ringmaster
No Image
Cromwell Brothers
Trapeze Act (as The Cromwell Brothers)
No Image
Ernst Ulman
No Image
Ben Williams
No Image
Clarence Wright

TMDB ユーザーのレビュー

John Chard
John Chard
★ 8

The duality of death. Dual Alibi is directed by Alfred Travers who also collectively adapts the screenplay with Stephen Clarkson and Vivienne Ades from a story written by Renalt Capes. It stars Herbert Lom, Phyllis Dixey, Terence De Marney and Ronald Frankau. Music is by Stanley Black and cinematography by James Wilson. Top French trapeze artists, the de Lisle twins (Lom), are hired by a British promoter to go work in Blackpool in the North West of England. Whilst in Blackpool one of the twins falls for an aspiring singer, causing tremors in the brother’s relationship. But when news comes through that they have won the French lottery, the brothers unite in their good fortune. However, good fortune is not to last as their world comes crashing down in a ball of treachery, greed, the misfortunes of fate and murder! Moody monochrome, flashback structure, kilter circus atmosphere, femme fatale and a haunting musical score, welcome to the world of under seen British noir. The low budget is barely noticed as Travers and Wilson skilfully move the film at a good pace whilst draping it in shadows and murk, and the trick photography accomplishment that brings two Herbert Lom’s together on screen brilliantly belies that this is a poverty row production. Lom is excellent in the dual role, giving each twin its own characteristic so the audience is never out of the loop. Yet he also deftly manages to ascertain a deep emotional bond between the two men, so when the darkness comes (the ending for instance is miserably no conformist) we feel the slap of film noir’s hand. Around Lom are effective performances from Marney as the repugnant Mike Bergin and Dixey who slinks about with conviction as smouldering fatale Gloria Gregg (AKA: Penny). Highly recommended for anyone interested in British film noir. 8/10

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