FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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イノセント・ガーデン
イノセント・ガーデン

イノセント・ガーデン

“18歳になった私に届いたのは、秘密の扉を開く鍵ー”

20131h 39m★ 6.6ドラマホラースリラー
Disney Plus

あらすじ

鋭すぎる感覚を持つ少女インディア。彼女が18歳を迎えたとき、最愛の父が急死する。葬儀の日、行方不明だった叔父チャーリーが突然現れ、しばらくインディアと不仲の母エヴィが暮らす家に泊まることに。その日から始まる、幾つもの不可思議な出来事と、周囲の人々の失踪。インディアは一連の事件の犯人はチャーリーではないかと疑いながらも、彼に惹かれていく。そんな中、おぞましい殺人事件に遭遇して―

作品考察・見どころ

パク・チャヌク監督が放つ、耽美と狂気が交錯する極上のサスペンスです。本作の真髄は、言葉を超えた映像美と緻密な音響演出にあります。鋭利な音やピアノの連弾が観る者の五感を刺激し、少女が抱く危うい欲望と「血の覚醒」を、冷徹なまでの美学で描き出しています。 主演のミア・ワシコウスカが見せる無垢から残酷への変貌は圧巻で、マシュー・グッドの優雅な邪悪さと、ニコール・キッドマンの執念が息詰まる緊張感を生んでいます。自己の忌まわしきルーツを認め、殻を破る瞬間の残酷なまでの美しさに、観客は魅了されずにはいられないでしょう。

興行成績

製作費: $12,000,000 (18億円)

興行収入: $12,077,441 (18億円)

推定収支: $77,441 (0億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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サブスクリプション

Disney Plus

レンタル・購入

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Apple TV Store
FOD

キャスト

ミア・ワシコウスカ
ミア・ワシコウスカ
India Stoker
ニコール・キッドマン
ニコール・キッドマン
Evelyn 'Evie' Stoker
マシュー・グード
マシュー・グード
Charlie Stoker
ダーモット・マローニー
ダーモット・マローニー
Richard Stoker
ジャッキー・ウィーヴァー
ジャッキー・ウィーヴァー
Aunt Gwendolyn 'Gin' Stoker
ルーカス・ティル
ルーカス・ティル
Chris Pitts
アルデン・エーレンライク
アルデン・エーレンライク
Whip Taylor
Phyllis Somerville
Phyllis Somerville
Mrs. McGarrick
Ralph Brown
Ralph Brown
Sheriff Howard
Judith Godrèche
Judith Godrèche
Doctor Jacquin

スタッフ・制作会社

監督: パク・チャヌク

脚本: Wentworth Miller

音楽: クリント・マンセル

制作: Michael Costigan / リドリー・スコット / トニー・スコット

撮影監督: 정정훈

制作会社: Fox Searchlight Pictures / Indian Paintbrush / Dune Entertainment / Scott Free Productions

TMDB ユーザーのレビュー

IamDWG
IamDWG

Dave’s 1-Word Review: _Disturbing _ 67% If you have seen Tim Burton’s run on the classic story, Alice in Wonderland, than you probably know who Mia Wasikowska is, however; you may not be aware of the other works that Wasikowska has been involved with. In fact, Mia has been involved in a little less than thirty titles, but hasn’t been the title character in most of these films. She is known best for her roles as Alice in Alice in Wonderland, Jane Eyre in Jane Eyre, and now India in Chan-Woo Park’s latest thriller, Stoker. Just remember before deciding to watch this film that it is very distasteful for a majority of viewers. After her father dies in a car accident, India Stoker must cope with the unusual fact that her Uncle Charlie, whom she had no idea even existed, was moving in with her and her distant mother. Charlie is quite a smooth talker and seems to have gotten on India’s mother’s good side…a little too good. His charming personality leads India to believe that there is something more sinister going on, which leads her on a path of discovering the truth. Although, where most movies would have the hero find out the truth and take down the bad guy, India acts as more of a villain who begins to practically side forces with her evil Uncle Charlie, reaching the boundaries of unacceptable behavior. Right from the beginning, you know that the movie is remarkably disturbing. You have a creepy Uncle with crazy eyes and a goth girl who you are preparing to witness turn into a psycho-killer at some point. Whether this happens or not, I obviously cannot disclose, but her personality as well as Charlie’s is just out of this world creepy, which is when you begin to realize that there really is no protagonist in this entire story. How can you really root for anyone when no one gives you a solid reason to root? A story can survive with just a protagonist, because we have coming-of-age stories, but just an antagonist doesn’t work well. What this film turns into is the opposite of a coming-of-age flick, you see a teenage girl descend into darkness. Also, even though it isn’t expressly described as such, there is some incestuous themes going on that are hard to miss, which just adds to the ever-growing disturbing nature of the film. When it comes to the writing, it’s a little much to take in, and when it actually comes down to everything all together, it just isn’t very believable unless the world was centered on an extreme episode of Jerry Springer. What was done well, on the other hand was the display of mystery and visual scenery. The mystery in the movie really provides the life, or the glue to what makes this film survive. You can be as disturbed as you like, but there’s just no way you can leave the movie without seeing how it ends, and that’s a really powerful weapon that a film can have. Yeah, it strives away from your traditional Hollywood format, but it at least did the mystery right. The visual sceneries are just out of this world. It’s not a fantasy or 3D film or anything, but it gets as beautiful as a movie can get, realistically speaking. It does a better job at conveying the beauty that our world already provides without the use of creating beauty that doesn’t exist. This display really compliments the film in a lot of ways, and gives you just another reason to keep watching the movie. What it really boils down to is that the movie is just too disturbing to watch on a multiple basis, and doesn’t give you a protagonist to root for, but it has great acting, great visuals, and a dark mystery that will have you plastered to the screen. For some, this may be a guilty pleasure, for others they may find themselves compelled to stop, finding it distasteful. It’s really give or take. Check Stoker out for yourself when it is released on DVD and Blu-Ray on Jun. 18!

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