FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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Coup de chance
Coup de chance

Coup de chance

20231h 36m★ 6.2ドラマ

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

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興行成績

製作費: $10,000,000 (15億円)

興行収入: $7,837,847 (12億円)

推定収支: $-2,162,153 (-3億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

Lou de Laâge
Lou de Laâge
Fanny Fournier (née Moreau)
Valérie Lemercier
Valérie Lemercier
Camille Moreau
メルヴィル・プポー
メルヴィル・プポー
Jean Fournier
ニールス・シュネデール
ニールス・シュネデール
Alain Aubert
Elsa Zylberstein
Elsa Zylberstein
Caroline Blanc
Grégory Gadebois
Grégory Gadebois
Le détective Henri Delauny
Guillaume de Tonquédec
Guillaume de Tonquédec
Marcel Blanc
Jeanne Bournaud
Jeanne Bournaud
Linda
Anne Loiret
Anne Loiret
Delphine
Sâm Mirhosseini
Sâm Mirhosseini
Dragos

スタッフ・制作会社

監督: ウディ・アレン

脚本: ウディ・アレン

制作: Letty Aronson / Adam B. Stern / Erika Aronson

撮影監督: Vittorio Storaro

制作会社: Gravier Productions / Perdido Productions / Dippermouth / Petite Fleur Productions

TMDB ユーザーのレビュー

Brent Marchant
Brent Marchant
★ 5

If I had to come up with one word to describe writer-director Woody Allen’s latest film, it would have to be “inconsequential.” This flat, uninspired slog about the trophy wife (Lou de Laâge) of an overly possessive well-to-do Parisian businessman (Melvil Poupaud) who has an affair after a chance meeting with one of her old classmates (Niels Schneider) is close to a career low point for the famed auteur. The picture’s wooden characters routinely spout trite, at times laughable dialogue peppered with nonchalant references about privileged upscale living and obvious, shallow observations about art, poetry and culture. Then, of course, there are the tired discussions about the role that luck plays in our lives that have now been incorporated into the scripts in nearly all of Allen’s 50 films. Even the narrative feels like a retread of previous releases with elements that appear to have been culled from such offerings as “Crimes and Misdemeanors” (1989), “Match Point” (2005) and “Irrational Man” (2015), only rearranged in a lighter, less interesting configuration of those other finer works – and one with an uncharacteristic and eminently predictable ending at that. The picture’s French language script is perhaps the only distinguishing trait of this work, but that adds precious little to the finished product (except perhaps for the eye strain that viewers are likely to walk away with for having to read everything). Don’t get me wrong – Allen is one of my all-time favorite filmmakers, but this release (like many of those in recent years) is not one of his better efforts. In fact, it’s been speculated (even by the director himself) that this could be his last picture, and it’s a shame if this is how he were to end his filmmaking career, going out with a whimper instead of a bang. But, if the gas tank is empty by this point, better to quit now than to continue producing mediocre, forgettable pictures that detract from an otherwise-great body of work.

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