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The Son of the Sheik
The Son of the Sheik

The Son of the Sheik

19261h 9m★ 6.1アクションアドベンチャードラマロマンス

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

スタッフ・制作会社

監督: George Fitzmaurice

脚本: フランシス・マリオン / Fred De Gresac / Edith Maude Hull

撮影監督: George Barnes

制作会社: Feature Productions / United Artists

口コミ

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配信サービス

キャスト

Rudolph Valentino
Rudolph Valentino
Ahmed, the Sheik's Son / Sheik Ahmed Ben Hassan
Vilma Banky
Vilma Banky
Yasmin, André's Daughter
George Fawcett
George Fawcett
André Romez
Montagu Love
Montagu Love
Ghabah
Agnes Ayres
Agnes Ayres
Diana - Wife of the Sheik
Karl Dane
Karl Dane
Ramadan
Bull Montana
Bull Montana
Mountebank
No Image
Bynunsky Hyman
Mountebank (as Binunsky Hyman)
No Image
Earl Gordon Bostwick
Bit Part
Erwin Connelly
Erwin Connelly
The Zouve

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

It took five years before this sequel was made, and you know what - I think it is better than the first one. Rudolph Valentino returns, this time as the son of "Sheik Ahmed" - handily also called "Ahmed" - who falls in love with the delightful dancing girl "Yasmin" (Vilma Bánky). All is not quite as it seems, however, as "Yasmin" is up to her neck with her father's gang of charlatans - not least with Montague Love ("Ghabah"), who has his eyes on this particular prize. When the two rendezvous for a clandestine meeting, the gang abduct the young man, beating him before hoping to ransom him. Fortunately, he escapes (phew!), taking his now well and try loathed girl with him. Can he ever be convinced that she didn't betray him and restore his confidence and their love? Just as with it's forbear, this is a great looking piece of cinema. The sparing appearances of Agnes Ayres (his mother) help to ensure the narrative continues smoothly and this has altogether more pace and adventure to keep the hour or so from getting too bogged down in the rather formulaic plot. There is clearly some chemistry between the two, Valentino seems more invested in this than with his 1921 character - and that engages the audience more. You feel that he really has some skin in the game and though we wouldn't know it at the time, this serves as a fitting cinematic epitaph - following the excellent "Eagle" (1926) - as his last film before his untimely death.

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