FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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كلشي ماكو
كلشي ماكو

كلشي ماكو

20231h 57m★ 7.0ドラマ戦争

あらすじ

No synopsis available.

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Darina Al Joundi
Darina Al Joundi
Sara
No Image
Basim Hajar
Kamal
Amed Hashimi
Amed Hashimi
Yahya
Meriam Abbas
Meriam Abbas
Dijla
Zaydun Khalaf
Zaydun Khalaf
Kareem
No Image
Labwa Arab
Mona
No Image
Ali El Kareem
Boatman
No Image
Zainab Al-Ghanimi
Reema
Mahmoud Abo Al Abbas
Mahmoud Abo Al Abbas
Abu Haider
No Image
Badia Obaid
Sabiha

スタッフ・制作会社

監督: Maysoon Pachachi

脚本: Irada Al-Jubori / Maysoon Pachachi

音楽: Mario Schneider

制作: Talal Al-Muhanna / Patrice Nezan / Laurent Versini

撮影監督: Jonathan Bloom

制作会社: Les Contes Modernes / Linked Productions / Neue Mediopolis Filmproduktion / Oxymoron Films / Lightburst Pictures

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

"Sara" (Darina Al Joundi) is a frustrated writer who lives with her young daughter "Reema" (Zainab Joda) in Baghdad in 2006. To put it mildly, it's a war zone. The Allies have only recently removed Saddam Hussein and the city is in chaos. Sunni and Shia mistrust, local warlords and racketeering make Al Capone look like Mother Theresa. "Sara" is sort of resigned to this existence until her close friend "Sabiha" (Badia Obaid), who happens to be a Christian, is forced out of their community and somehow that seems to galvanise her. She regains a little of her mojo and determines to write again. Can she sustain that new-found enthusiasm as the bombs land ever closer to their home or, perish the thought, might escape from the only place either of them have ever known be the best solution? The story of "Sara" is but one of the threads here as we take an overview of just how a normal urban community tries to live amidst a situation that would prove intolerable to all but the strongest. We see a society - of old and young; zealous and less so, all trying to reconcile their lives to the new, largely lawless, environment. What's written large here by director Maysoon Pachachi is that for the vast majority of them, this is about dignity - and not sacrificing it. This is a community that wants to thrive, wants to get on with life and that wants to take care of each other - despite the terrors being regularly visited on it. The production does deliver well a strong visual sense of the peril they face and the characterisations are powerful yet vulnerable and strong - especially the young "Reema". The presence of the boatman on the Tigris provides an almost Shakespearian-style role in providing some stitching to the film without his character having any hugely significance in itself. It is a slow burn, so don't expect a great deal to actually happen. There are no quick fixes or ideal solutions. This is more of an observation of just how a constant struggle is bravely and defiantly faced by people who really do deserve better.

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