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A Thousand and One
A Thousand and One

A Thousand and One

20231h 56m★ 6.6ドラマ犯罪

あらすじ

No synopsis available.

作品考察・見どころ

テヤナ・テイラーの魂を削るような熱演が、本作の圧倒的な推進力となっています。変貌しゆくハーレムの街並みを背景に、制度の歪みに抗いながら我が子を守り抜こうとする主人公の切実な祈りが、画面越しに痛いほど伝わってきます。荒々しくも美しい映像美は、都会の孤独と親子の絆を対照的に描き出し、観る者の心に深い爪痕を残します。 本作が突きつけるのは、血の繋がりを超えた愛の正体と、社会の片隅で懸命に生きる人々が直面する過酷な現実です。ジェントリフィケーションという時代の波に飲み込まれながらも、自らの存在証明を懸けて戦う姿は、崇高なまでの気高さに満ちています。真実の重みに耐え、愛を貫こうとする人間の強さと脆さを鮮烈に刻みつけた、現代の傑作と言えるでしょう。

興行成績

興行収入: $3,395,595 (5億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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配信サービス

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レンタル・購入

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キャスト

テヤナ・テイラー
テヤナ・テイラー
Inez
ウィル・キャトレット
ウィル・キャトレット
Lucky
Josiah Cross
Josiah Cross
Terry
Aven Courtney
Aven Courtney
Terry 13 Year Old
Aaron Kingsley Adetola
Aaron Kingsley Adetola
Terry 6 Years Old
Terri Abney
Terri Abney
Kim Jones
Delissa Reynolds
Delissa Reynolds
Mrs. Jones
Amelia Workman
Amelia Workman
Anita Tucker
Adriane Lenox
Adriane Lenox
Miss Annie
Mark Gessner
Mark Gessner
Jerry

スタッフ・制作会社

監督: A.V. Rockwell

脚本: A.V. Rockwell

音楽: Gary Gunn

制作: Brad Weston / Julia Lebedev / リナ・ウェイス

撮影監督: Eric K. Yue

制作会社: Sight Unseen Pictures / Makeready / Hillman Grad Productions

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

This features quite a strong performance from a convincing Teyana Taylor. She is "Inez" who decides that she wants to reclaim her young son "Terry" from his life on the streets of New York. What now ensues illustrates quite well the difficulties they both face as they both grow up with little by way of opportunity - or money - but determined to stick together despite their not always seeing eye to eye. Along the way, she marries "Lucky" (William Catlett), a decent man who offers some stability and it begins to look like "Terry" (by this stage played by Josiah Cross, but played well as a child by Aaron Kingsley Adetola) might just have a chance. Thing is, as the audience know by now, the relationship between mother and son is not as it seems - and the impending action of the authorities, coupled with a rather unscrupulous landlord, look like the wrecking ball is en route to their dreams. It meanders a bit too much for me, this film. It could have easily lost twenty minutes and the writing could have focussed better on developing the "Terry" character a little more, but it's still quite a powerful assessment of family values, loyalty and civic indifference that ought to make anyone sit up and take notice. It doesn't need a big screen - but is worth a watch on the telly.

Brent Marchant
Brent Marchant
★ 6

It’s been said that a mother’s love for her child runs so deep that she’ll do virtually anything to protect her young. But is it possible to carry things too far? That’s a question raised in writer-director A.V. Rockwell’s debut feature about a mother with a criminal record (Teyana Taylor) who kidnaps her young son (Aaron Kingsley Adetola) out of foster care upon her release from prison. She questions the adequacy of the care he is receiving as a ward of the state, and so she snatches him from his foster caretaker and hides him away as she seeks to get her life together. Over the next 11 years (1994-2005), she largely succeeds at this, too, even in the midst of many challenges, including an often-uneven relationship with her former partner in crime (literally) (Will Catlett) and a rapidly changing New York, especially in her home neighborhood of Harlem. Despite a somewhat slow and unfocused start, the story deepens as this unlikely new family seeks to get on its feet. However, the somewhat-disjointed opening act sets the tone for the overall narrative, which gets away from its basic premise and starts meandering in engaging but largely unrelated territory, an issue that hampers the focus of this story until near the end. These shortcomings are defrayed to a degree by its fine performances, most notably Taylor and the gifted actors playing her son at ages 13 and 17 (Aven Courtney and Josiah Cross, respectively), but these portrayals aren’t quite enough to overcome the inherent drawbacks in the direction of the script. With that said, though, the filmmaker nevertheless shows promise in telling moving tales, so here’s hoping this start lead to better efforts in her future endeavors.

MartyCrooner
MartyCrooner
★ 7

A story about a mother-son relationship and how it changes over the course of a decade. With a background setting of New York in the 90s and 00s, the movie depicts how issues like poverty, crime, race, and gentrification interact. Well acted with beautiful characters. Except the kid can be a little too sniveling at times. I mean, I get that there's childhood trauma and abandonment issues, but geeeeez.

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