“一流スパイは 世界をダマす。”
凄腕エージェントのアーガイルが世界中を飛び回り、謎のスパイ組織の正体に迫る大人気スパイアクション小説「アーガイル」。ハードなシリーズの作者エリー・コンウェイの素顔は、自宅で愛猫のアルフィーと過ごすのが至福の時という平和主義。しかし、新作の内容と実在するスパイ組織の活動がまさかの一致で、エリーの人生は大混乱に! 物語の続きをめぐり命が狙われる事になった危機的状況をエイダンと名乗るスパイに助けられる。 果たして、出会うはずのなかった二人と一匹の猫の危険なミッションの行方は...!?
製作費: $200,000,000 (300億円)
興行収入: $96,221,061 (144億円)
推定収支: $-103,778,939 (-156億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: マシュー・ヴォーン
脚本: ジェイソン・フックス
音楽: ローン・バルフェ
制作: マシュー・ヴォーン / Carlos Peres / Zygi Kamasa
撮影監督: George Richmond
制作会社: Marv / Apple Studios / Cloudy Productions
FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/argylle-review-a-delightful-surprise-of-campy-entertainment/ "Argylle emerges as a (very) pleasant surprise this new year, blending absurdity with sophistication to create a truly memorable cinematic experience. Matthew Vaughn's vision, combined with Jason Fuchs' sharp, clever screenplay, provides an entertainment rollercoaster ride that obliterates initial expectations. From unexpected twists and turns to the incredibly charismatic cast, not to mention a third act filled with hilariously unforgettable action set pieces, the complex-made-simple spy story captivates the audience with its campy charm and relentless energy. It's my first big recommendation of 2024, one you can't afford to miss in theaters!" Rating: A-
"Elly Conway" (Bryce Dallas Howard) lives in her remote lakeside home writing spy novels that are going down a storm. Her conclusion to the fifth in the series about the eponymous, "007"-style agent perplexes her mother, though. What happens next? Well wait til book six would seem to be the obvious answer, but mom (Catherine O'Hara) insists so "Elly" decides to take train to visit her parents - and that's mistake number one. Onboard she encounters a rather scruffy looking chap "Wilde" (Sam Rockwell) who is reading one of her books. She tries to hide her identity, but when he gets to the fly-leaf then her secret is out. That's soon the least of her worries as she and travelling cat "Alfie" are soon caught up in something straight out of one of her books! She can't fathom why she'd conceivably be the target for any nasty people, but her new found friend soon convinces her that there is someone she has to meet - and pretty quickly she's embroiled in an whole new world of mystery, intrigue and danger! It's a bit of a slow start this film, with a slightly annoying flicking between her real life and those of her characterisations (that's where the "Action Man" style of the sparingly used Henry Cavill appears) but once we establish who is who and what's going on, we are straight into "Man from U.N.C.L.E." territory with loads of rapid-fire escapades that though hardly original, do have some fun twists and turns as we progress to a denouement that is derivative, but still quite enjoyable to watch. The initial concept is quite original and though the execution largely an amalgam of other Matthew Vaughn features, it still works quite well even if it is far too long, with Rockwell clearly having some fun here and the cat remaining largely contained in it's capsule throughout!
It’s disappointing when a film has an intriguing premise but fails to deliver the goods in the end. Such is the case with director Matthew Vaughn’s latest, an action-adventure/comedy about an author of spy novels (Bryce Dallas Howard) who stumbles into a real-life espionage scenario that matches the plot of her latest novel, embroiling her in a web of ever-shifting intrigue with various nefarious parties. The problem here is that the film never quite latches onto a dedicated focus to make the picture work. Some of the comic bits are indeed quite funny, but they frequently get bogged down by a meandering story line that’s trying to follow a more conventional, twist-laden thriller format. It leaves viewers asking, “So what’s it going to be?” There’s also more than a little derivative material thrown in, such as story threads we’ve already seen before in movies like “Romancing the Stone” (1984), “The Long Kiss Goodnight” (1996) and any number of James Bond flicks. While it’s true that this release is intended to be a spoof of these titles (especially in scenes featuring Henry Cavill as a hilariously hammy 007 knock-off), there’s a big difference between paying tribute and playing unrepentant copycat. Then there’s the picture’s excessive length, coming in at a bloated 2:19:00 runtime, far longer than it needs to be, a failing attributable to an often-needlessly complicated plot, one that begins to try audience patience at times, especially in the back half. “Argylle” also features a cute, cuddly cat, Alfie, as a central character (at least in its trailer), but, like the narrative overall, the film doesn’t quite seem to know what to do with the supposedly frisky, fickle feline, an impression far different from what’s conveyed in the picture’s video marketing. All of this is a shame, because this title has both potential and some apparent strengths going for it, such as a fine soundtrack, superbly choreographed action sequences, and an excellent ensemble cast with the likes of Sam Rockwell, Bryan Cranston, Catherine O’Hara, Ariana DeBose, and a seriously underused Richard E. Grant, not to mention fine turns from Howard and Cavill as alter-egos of one another. This one isn’t nearly as bad as many critics have made it out to be, but it could have been substantially better with some significant retooling and judicious editing. “Argylle” apparently has ambitions to become a new franchise, too, but we’ll have to see if that materializes based on what kind of box office draw it ultimately produces. At this point, though, I think it has its work cut out for it.
_Argylle_ is an action thriller that willingly wallows in goofy, cringey nonsense. Its writing is immature, and its action is overloaded with sloppy CGI and outrageous concepts that are preposterously frustrating. **Full review:** https://bit.ly/arghspy
Such a peculiar film. Everything about it feels off. I was initially a little unsure as to what I thought about <em>'Argylle'</em>, but in the end: it's a no from me. I couldn't actually tell you one thing that I properly liked about this, like at a push Sam Rockwell and Bryan Cranston are decent but even they get a bit hit-and-miss. There's just a constant tinge of lousiness that follows around throughout. Bryce Dallas Howard feels miscast, even if she is fairly likeable. Henry Cavill is wooden (intentionally? doubtful), as is Dua Lipa but the musician has enough charm to make it work slightly. Speaking of music, all that is used here is alright but again feels off - mostly seems like the correct type of song, just the wrong exact choice of song... "Electric Energy" might grow on me, though. What also doesn't help is the unavoidable feeling that it is a bad redo of <em>'<a href="https://letterboxd.com/films/in/kingsman-collection/by/release-earliest/size/large/" rel="nofollow">Kingsman</a>'</em>, which is expected given who directed this and all that they are planning with the two flicks behind the scenes. I'm all for a shared universe, though this is perhaps too on the nose. There are also <em>'<a href="https://letterboxd.com/film/the-lost-city-2022/" rel="nofollow">The Lost City</a>'</em> (itself echoing <em>'<a href="https://letterboxd.com/film/nims-island/" rel="nofollow">Nim's Island</a>'</em>) vibes sprinkled in too. Another negative is the special effects, especially at the start... less said, the better. Overall, I think it all boils down to being a poor film - unfortunately, as I kinda wanted to like it but simply couldn't. Actually, it's just come to me, I just remembered a scene I actually did truly enjoy: the one with Leona Lewis' "Run" track. That was actually entertaining.
