FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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となりのトトロ
となりのトトロ

となりのトトロ

“このへんな生きものは、まだ日本にいるのです。たぶん。”

19881h 26m★ 8.1ファンタジーアニメーションファミリー

あらすじ

都会からそんなに遠くない田舎町に引っ越してきたサツキとメイ。お化けやしきみたいに古い家には、何かが棲んでいる気配がいっぱい。サツキたちの家の裏にある神社の大木をすみかにしているトトロ。人の住んでいない家をススやホコリだらけにしてしまうススワタリ(まっくろくろすけ)。大きな目と大きな口、そして何本もある足で空間を自由自在に走りまわる巨大なネコバス。サツキとメイは次々に奇妙ないきものと出会い、ステキな冒険に飛び出す。

作品考察・見どころ

宮崎駿監督が描いた本作の本質は、目に見えない「気配」を圧倒的なリアリティで視覚化した点にあります。湿り気を帯びた風の匂いや草花の揺らぎ、幼い姉妹の瑞々しい躍動感と不可思議な精霊たちが溶け合う風景は、単なるファンタジーを超え、私たちの魂の奥底に眠る「自然への畏敬」を鮮烈に呼び覚まします。 日髙のり子と坂本千夏の剥き出しの生命力が宿った演技は、子供たちの純粋な畏怖と歓喜を余すことなく表現しています。トトロという存在は決して言葉で説明されず、ただそこに在るものとして描かれる。この圧倒的な余白こそが、観る者すべての少年少女時代を肯定し、世界を祝福するような深い感動を与えてくれるのです。

原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

興行成績

製作費: $3,700,000 (6億円)

興行収入: $41,000,000 (62億円)

推定収支: $37,300,000 (56億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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特集レポート

FindKeyのエディトリアルチームがこの作品の深層や歴史を解説しています。

夜を彩る非日常体験!『ハウル』から『ハリー・ポッター』まで魔法・ファンタジー傑作5選

FindKey Editorial2026/2/2

キャスト

日髙のり子
日髙のり子
Satsuki Kusakabe (voice)
坂本千夏
坂本千夏
Mei Kusakabe (voice)
高木均
高木均
Totoro (voice)
糸井重里
糸井重里
Tatsuo Kusakabe (voice)
島本須美
島本須美
Yasuko Kusakabe (voice)
北林谷栄
北林谷栄
Granny (voice)
雨笠利幸
雨笠利幸
Kanta Ogaki (voice)
丸山優子
丸山優子
Kanta's Mother (voice)
広瀬正志
広瀬正志
Kanta's Father (voice)
鈴木れい子
鈴木れい子
Kanta's Aunt (voice)

スタッフ・制作会社

監督: 宮崎駿

脚本: 宮崎駿

音楽: 久石譲

制作: 徳間康快 / 原徹 / 鈴木敏夫

撮影監督: 白井久男

制作会社: Studio Ghibli / Nibariki / Tokuma Shoten

TMDB ユーザーのレビュー

sykobanana
sykobanana
★ 9

**"Childhood" in a movie.** This is just perfection - a perfect way to while away time and reconnect with your youth. Everything is outstanding in this film, but especially the way it can emote your sense of wonder and imagination. I wish I could have watched this as a child, I would have wanted to find Totoro and the Catbus, roar like Totoro, or sleep on his belly. Oh well...I will just have to imagine it. Its interesting to note this was released with Grave of the Fireflies, another Ghibli masterpiece, which I have summed up as being about innocence lost. **This movie is innocence maintained.**

20thCentury
20thCentury

(SPOILER ALERT) I was delighted to see this subtle/multi-layered tale unfold, which seemed to play well to both a childhood audience, keen on likable characters/compelling imagination, and adults with a deeper appreciation for the symbolic backstory. Like most of Miyazaki's films, there was an enormous focus on the power of the natural world. Whenever man perverts the natural world, the natural world seems to pushback. It appears as though the seldom seen Mother in the story is sick due to some mental/physical disconnect that she has likely had with the natural world. Through the unique power of children to tap into their imagination, especially children living outside the city and amongst nature, Miyazaki demonstrates the unique gift that children have to re-establish the lost bond between unhealthy adults and the healing power of the natural world. I was thoroughly impressed with how delicately Miyazaki established this bond between the two children, their imagination, and the natural world. Totoro, the lovable silent giant, is a great and unexpected metaphor for the healing power of the natural world and childhood imagination :)

r96sk
r96sk
★ 8

Aggressively cute. <em>'My Neighbor Totoro'</em> holds an extremely hearty story, one told via impeccably beautiful animation. Noriko Hidaka and Chika Sakamoto standout as Satsuki and Mei, the relationship between those two characters is so sweet. They do get a bit shouty in parts which ever so slightly irritates, but that's definitely one to file under 'nit-picking'. A simple movie, one which displays the imagination of children perfectly. Big fan of the Catbus. 🐱

ARGMAN
ARGMAN
★ 6

cute & sweet. that's it

CinemaSerf
CinemaSerf
★ 7

Though maybe the story here is a bit on the thin side, this is still glorious mix of family and fantasy from the hand-drawn animation of the gifted Hayao Miyazaki. It's all about two sisters - "Mei" and "Satsuki" who travel with their father to a new, rather rustic, home. It's all a grand adventure for the girls though and they are barely through the door before realising that the house has some extra special occupants. Things is - are they benign or not! Luckily, an old lady from the house nearby sets their mind at rest and soon "Granny" is looking after them from time to time in between school and visits to their ailing mother in a nearby hospital. As they explore the grounds, they discover that the place is alive with creatures both natural and supernatural - and it's the eponymous beast - a sort of hybrid between a cat and a panda - that soon becomes an integral part of their adventures as they eagerly anticipate their mother coming home. It's its simplicity that really worked well for me, here. A close-knit family with some bubbling trauma provides for a setting for their situation, but it doesn't dominate the children at play. They know sadness, sure, but they also know joy and love; there's a magical eight-legged moggy-bus (or maybe that's ten legs?) and they have their shy neighbour who's terrified of the very thought of the girls! It's a delightful combination of fantasy, community and family that you're bound to enjoy. Take a brolly, though!

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