騎士の国ローハンは偉大なるヘルム王に護られていた。しかし突然の攻撃を受け、王国の平和が壊されていく。すべての運命は、一人の若き王女ヘラに託された！最大の敵はかつて共に育ったヘラの幼馴染ウルフ。果たしてヘラは、国の民の未来を救えるのか!? “あの指輪”をめぐる壮大な冒険へと繋がる、まだ誰も知らない伝説の戦いの幕が開ける！
製作費: $30,000,000 (45億円)
興行収入: $20,658,572 (31億円)
推定収支: $-9,341,428 (-14億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
When the King decides to decline an offer for a strategic betrothal for his daughter "Héra", a duel ensues that sees the would-be suitor "Wulf" swear vengeance on the house of "Helm Hammerhand" and the kingdom of "Rohan" before he flees to the mountains. Before too long, he has made his presence felt amongst the usually warring hill tribes and is soon a force to be reckoned with by the King. With his capital being attacked, "Helm" must lead from the front - but can he trust all of his nobles? It turns out that his daughter and this rebel were childhood friends but it's not just him she doesn't want to marry, she has far more independent designs for her life that don't include marriage at all, and these are actively encouraged by her handmaiden - herself a woman to be reckoned with. With duplicity and tragedy all around her, she must lead her people to the safety of the "Hornberg" to avoid the harshness of both her enemy and the brutal winter, but can they survive the ordeal that awaits them. This is a perfectly watchable animated fantasy adventure with the odd snippet of Howard Shore's original "Lord of the Rings - Two Towers" (2002) score to pep it up, but the standard of the animation is really quite underwhelming. It's all very two-dimensional and it seemed to me that virtually no effort has been made to synchronise the lips and the voices. The story is adequate enough, but stretched really quite thinly as it tops the two hour mark without anywhere near enough going on. There's isn't so much a war as a siege, and after about half an hour it felt more like this was an introduction to a character who is going to - whether JRR Tolkien likes it or not - deliver some more Middle Earth adventures for sequels galore. It really underplays the characterful mythology of the topic and takes a very disappointingly "Janet and John" approach to the mysteries and evils of that realm which was so well captured twenty-odd years ago by Peter Jackson.
