FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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20221h 41m★ 6.8ドラマアドベンチャー履歴

あらすじ

遠征隊が残した地図を回収するため、グリーンランドを探検する2人の隊員は、命をかけた戦いを強いられる。1909年にデンマークが行った極地探検に基づく物語

作品考察・見どころ

この映画の神髄は、極限状態における精神の揺らぎと、言葉を超えた信頼の構築にあります。視界を埋め尽くす氷の白さと、静寂がもたらす狂気が、観客の皮膚感覚にまで迫るリアリティを放っています。主演二人が見せる、極限まで削ぎ落とした肉体と魂のぶつかり合いは、まさに圧巻の一言です。 単なるサバイバル劇を超え、人間の執念の気高さと危うさを鋭く問いかけてきます。文明から隔絶された地で、人は何を信じて明日へ繋ぐのか。冷徹な自然の美しさと、そこに抗う生命の鼓動が心に深い余韻を残します。不屈の精神を描いた映像美の極致を、ぜひ体感してください。

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キャスト

ニコライ・コスター=ワルドー
ニコライ・コスター=ワルドー
Captain Ejnar Mikkelsen
Joe Cole
Joe Cole
Iver Iversen
チャールズ・ダンス
チャールズ・ダンス
Minister Neergaard
Heida Reed
Heida Reed
Naja Holm
Gísli Örn Garðarsson
Gísli Örn Garðarsson
Jørgensen
Sam Redford
Sam Redford
Laub
Diarmaid Murtagh
Diarmaid Murtagh
Poulsen
Ed Speleers
Ed Speleers
Bessel
Frankie Wilson
Frankie Wilson
Unger
Nick Jameson
Nick Jameson
Captain Holm

スタッフ・制作会社

監督: Peter Flinth

脚本: Joe Derrick / ニコライ・コスター=ワルドー / Ejnar Mikkelsen

音楽: フォルカー・ベルテルマン

制作: ニコライ・コスター=ワルドー / Peter Flinth / Baltasar Kormákur

撮影監督: Torben Forsberg

制作会社: RVK Studios / Ill Kippers

TMDB ユーザーのレビュー

tmdb28039023
tmdb28039023
★ 1

The takeaway from Against the Ice is that not all CGI is bad — which doesn’t necessarily mean that some of it is good, only that some examples are comparatively worse than others. There is a scene in this movie that will remind you of The Revenant, except that the bear in Alejandro González Iñárritu’s film is one of its most memorable aspects; as for the one in Against the Ice, let’s just say that I’ve seen more realistic polar bears in those Coca-Cola Christmas ads. Now, both scenes involve lots of computer generated imagery and a stuntman pretending to be a carnivorous mammal of the Ursidae family, so the difference between awesome and pathetic lies in the performance of the actor being attacked. Like in pro wrestling, the encounter between Leo DiCaprio and the bear may not have been spontaneous, and its outcome may have been predetermined, but that doesn’t mean the actor didn’t take an actual beating, getting thrown around to and fro like a ragdoll by way of wires; moreover, all of his facial and body language is committed to selling the gravity of the situation, which in turn makes the bear, CGI or not, look like a million bucks. Meanwhile in Against the Ice, Nikolaj Coster-Waldau pretty much just lies there, bringing no urgency to what should be a life-and-death struggle. This scene is symptomatic of Against the Ice, which is no less a collection of clichés than The Revenant, but whereas the latter amounts to much more than the sum of its parts thanks to superb execution, the former is too conventional to ever transcend its chosen genre. Consider the way it tracks the passage of time beginning with “Day 1”, which is of course a logical starting point, but also a very obvious one; from there it skips all the way to “Day 26” — my question is, since apparently nothing of note happened in the first 25 days, why not just start with the 26th day and go from there? All things considered, no one will be surprised to learn that Ejnar Mikkelsen (Coster-Waldau) — on whose book (or, presumably, a translation of the same, seeing as how the Danish characters all speak English as a first language) the movie is based — and Iver Iverson (Joe Cole) “remained friends for life”, but don’t they always? Just like Colin Firth and Geoffrey Rush in the King’s Speech, or Viggo Mortensen and Mahershala Ali in Green Book. All movies “based on a true story” take extreme liberties with their source material, and I usually hate it when they do, but Against the Ice would have been considerably less trite if the makers had gone the opposite route with the characters’ relationship; after all, in the words of Mr. Burns following a similar but by no means as protracted ordeal, “once you've been through something like that with a person, you never want to see that person again.”

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