とある砂漠ではりつけにされ、裸の子どもたちに石を投げつけられているキリストに似た風ぼうの盗賊（ホラシオ・サリナス）。自力で十字架から降り立った彼は、居合わせた男と共に町へ向かう。町ではキリスト像を売る太った男たちに捕らえられ、鏡の部屋に閉じ込められてしまう盗賊だったが、何とか部屋から脱出し……。
AIが作品の魅力を深く読み解いています
製作費: $750,000 (1億円)
興行収入: $96,262 (0億円)
推定収支: $-653,738 (-1億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: アレハンドロ・ホドロフスキー
脚本: アレハンドロ・ホドロフスキー
音楽: Don Cherry / Ronald Frangipane
制作: アレハンドロ・ホドロフスキー / Allen Klein / Robert Taicher
撮影監督: Rafael Corkidi
制作会社: ABKCO Films
This video work is visualized, "psychotherapy". It is truly in the realm of the divine. The numerous famous scenes, eccentric, unusually colorful, erotic, gross-out, and fully materialized by the alchemy of Mr. Alexandre Jodorowsky, can sufficiently heal patients with "mental disorders" as "psychotherapy" even if there is no dialogue in them. And the film is an ensemble of images of the perverts of the earth, including sexuality, grotesqueness, sanctity, love (or abuse) of the disabled, and contempt for animals, all in one film. This is not only Alejandro Jodorowsky's masterpiece, but (at least for me) I was healed by this film. It is this visual work, more than drugs or masturbation, that is the source of salvation for me. So this film is a Copernican turn in psychiatry beyond art. Thank you for saving me. And if you watch it without subtitles, you will have a much more enjoyable experience.
This is crazy. Imagine if art, god and a fever dream made a movie together. That's this. Half time i was like: ''what is going on?... oh, i get it... i don't get it...'' and that's the point. Every frame is loaded with symbolism and characters who represent systems rather than people. It’s often uncomfortable, sometimes absurd, occasionally funny, and intentionally excessive. The film isn’t subtle and it doesn’t want to be. It’s designed to provoke, confuse, and strip the viewer of passive consumption. It's gooood.
