悪魔のような女
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Ｐ・ボワローとＴ・ナルスジャックのミステリを、Ｈ＝Ｇ・クルーゾーが映画化した作品で、「恐怖の報酬」（52）とはまた質の異なる突出したサスペンス描写に彩られた傑作。 舞台はパリ近郊の寄宿学校。校長のミシェル（Ｐ・ムーリス）は妻クリスティナ（Ｖ・クルーゾー）の莫大な財産の上に今の地位を築いていたが、その横暴ぶりにクリスティナの心労は極みに達していた。ミシェルの愛人でもある女教師ニコル（Ｓ・シニョレ）は彼女に同情し、二人して彼の殺害を企む。クリスティナとニコルは週末を利用してニコルの実家に赴き、ミシェルへ離婚の決意を告げる。やがて彼女を連れ戻そうと現れたミシェルは、薬入りの酒を飲まされバスタブで溺死させられる。死体をトランクに隠すと、学校に戻りプールの底に沈めてしまうクリスティナとニコル。後は死体が誰かに発見されるのを待つばかりであったが、なかなかその状況が生まれない。やむなく理由をつけてプールの栓を抜くことを命じるクリスティナ。だが、そこにはミシェルの死体など存在しなかった……。
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I have only seen but two of Clouzot's films (this and the equally brilliant 'The Wages of Fear'), but I understand immediately what connoisseurs mean when they say he's the French Alfred Hitchcock. He has an innate and unbelievably vivid and accurate take on human nature. I can't wait to check out the rest of his oeuvre.
The keys in the pool, the husband in the morgue! You dream too much about water in this house! Headmaster of a boarding school, Michel Delaselle (Paul Meurisse) is a brooding bully of a man, one day his wife and mistress decide enough is enough and plot to kill him, trouble is that once they murder him, his body disappears and reported sightings of him are adding to the ladies' paranoia. Thus is the setting for director Henri-Georges Clouzot's brilliant suspenser. The pace is stiflingly perfect, he gently racks up the tension, neatly toying with audience expectation, the sense of dread that hangs in the air is palpable. How refreshing it is to see a suspense film actually build its plot for a good hour? In this day and age the MTV generation would be walking out of this after 30 minutes. Armand Thirard's atmospheric photography accentuates the creeping menace like mood, to the point that when we get to the last 15 minutes, nerves are already frayed and we then of course get what is arguably the greatest bath scene ever, and "that" ending... When I first watched it back in 2008 it was on a poor quality DVD, but revisiting it on Blu-ray it still worked me over as the great suspense movie it is, forcing me to seek the solace of daylight ASAP. Great writing, great directing, great acting, the latter thriving due to Simone Signoret's dangerously simmering sexuality and Véra Clouzot's heartfelt vulnerability. It's one of the classic chillers of European cinema. And if you haven't seen it yet? Do what I did last night, get the Blu-ray, turn off the lights and just have a couple of candles flickering away in your peripheral vision. Maybe indulge in some stiff drinks like I did, and most of all, watch it on your own... 9/10
