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Aisha
Aisha

Aisha

20221h 34m★ 6.0ドラマ

あらすじ

No synopsis available.

作品考察・見どころ

本作の核心は、静謐な映像の中で剥き出しになる人間尊厳の叫びにあります。レティーシャ・ライトの、抑圧された怒りと悲しみが瞳の奥で火花を散らす名演は圧巻です。官僚的な制度の冷徹さと、彼女が抱く微かな希望の対比が、観る者の心に鋭く突き刺さります。ジョシュ・オコナーとの間に漂う静かな絆は、孤独な魂が触れ合う瞬間を慈しむように描き、言葉以上の感情を私たちに伝えてくれます。 フランク・ベリー監督は、社会の不条理を冷徹な視線で見つめつつも、そこに生きる個人の息遣いを丹念に拾い上げました。システムによって尊厳を削り取られる理不尽さを描きながら、本作が放つのは他者への深い共感と連帯のメッセージです。観客は、主人公の歩む過酷な日常を通じて、真の優しさと強さとは何かを自問せずにはいられません。静かな衝撃が、鑑賞後も長く胸を打ち続ける傑作です。

口コミ

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予告・トレイラー

キャスト

Letitia Wright
Letitia Wright
Aisha Osagie
ジョシュ・オコナー
ジョシュ・オコナー
Conor Healy
Lorcan Cranitch
Lorcan Cranitch
Peter Flood
Denis Conway
Denis Conway
Brendan Close
Stuart Graham
Stuart Graham
Francis Manning
No Image
Ian Toner
Liam Cantwell
Ruth McCabe
Ruth McCabe
Mrs. Keegan
No Image
Pius Ojo
Resident
Dawn Bradfield
Dawn Bradfield
Michelle Campbell
No Image
Theresa O'Connor
Deirdre O'Dea

スタッフ・制作会社

監督: Frank Berry

脚本: Frank Berry

制作: Aoife O'Sullivan / Donna Eperon / Tristan Lynch

制作会社: Subotica / BBC Film / Fís Éireann/Screen Ireland / Wavelength / RTÉ / World of HA Productions

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

"Aisha" (Letitia Wright) has been seeking asylum in Ireland for some while when she encounters and builds a friendship with the security guard at her hostel. He, "Conor" (John O'Connor) has a bit of baggage of his own, and the two find a certain comfort in supporting each other as she is moved to a rural caravan park where she must continue her quest for residency. There's no doubt that both Wright and O'Connor deliver decent efforts here, but somehow the underlying story left me rather underwhelmed. Why Ireland? Is it just the most porous part of the EU? There is little context given as to that choice, and so when her struggles against the bureaucracy become more difficult, I felt that whilst I empathised with her predicament, I couldn't quite see why this was an Irish problem? The presentation of her as an asylum seeker is largely predicated on the skills of Wright as an engaging actor, rather than of any depth to her characterisation that could enable a neutral to make the judgements the film is clearly steering us to make. It all has a certain degree of entitlement to it, and the writer and director needed to work much harder to present the audience with a legitimacy to the story, not just to rely on an assumption that the innate kindness and sympathy we ought to feel would be forthcoming. This needed much more development and balance - those doing immigration management jobs portrayed here are usually shown as uncaring and unfeeling in an almost lazy fashion - and that compromises the whole integrity of the story. The complexities of this scenario are over-simplified here, and I think an opportunity to raise awareness of this - on both sides - has been largely missed.

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