マーティン・キャンベル監督が、リーアム・ニーソン、ガイ・ピアース、モニカ・ベルッチら豪華キャストを起用して撮り上げたタイムリミット・アクション。余命わずかな殺し屋が、人身売買組織に挑んでいく姿を描く。
製作費: $30,000,000 (45億円)
興行収入: $13,900,000 (21億円)
推定収支: $-16,100,000 (-24億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: マーティン・キャンベル
脚本: ダリオ・スカルダパン / Jef Geeraerts
音楽: Photek
制作: Cathy Schulman / Rupert Maconick / Michael Heimler
撮影監督: David Tattersall
制作会社: Black Bear Pictures / Welle Entertainment / Saville Productions / Open Road Films / STXfilms
_Memory_ juggles so many subplots to unsatisfactory results. It’s as if the story throws a ball in the air for every concept in the film (Alzheimer’s, human trafficking, the FBI vs the police, rich people getting whatever they want, etc) only to allow each ball to smack against the ground without trying to catch them after their initial toss. For a film about a guy who kills people with the authorities chasing him for nearly two hours, _Memory_ is a monotonous bore. Not even Liam Neeson lighting himself on fire to cauterize a bullet wound can save what is otherwise a forgetful and fatigued memoir of a hoary hit man. **Full review:** https://hubpages.com/entertainment/Memory-2022-Review-A-Forgetful-and-Fatigued-Memoir-of-a-Hoary-Hit-Man
**Memory isn't terrible, but it's a little too slow for an action thriller and isn't edgy enough for a crime thriller. Sadly, Memory is forgettable.** I'm a big Liam Neeson fan. He trained Batman and Obi-Wan, led the A-Team and the Men in Black, and had the most intimidating and awesome phone call in cinematic history. Non-Stop, The Commuter, and The Grey were all solid films, too, but let's face it… he isn't getting any younger, so his action movies are slowing in pace. Memory was smart enough to incorporate that into the script while still having Neeson kick some butt. This movie is an improvement over some of his recent stuff like the Marksman (and, from what I hear, Blacklight), but I sure do miss the days of Taken or Kingdom of Heaven. My hopes were higher with Martin Campbell directing, but I spent most of the movie looking at my phone. It's not terrible, but it needed to be a little darker and more menacing to hold my attention. In the end, you won't care to remember much about Memory. Neeson is still the man, though!
