FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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ナタリー
ナタリー

ナタリー

20111h 48m★ 6.4ドラマコメディロマンス

あらすじ

No synopsis available.

作品考察・見どころ

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興行成績

興行収入: $9,696,204 (15億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

スタッフ・制作会社

監督: David Foenkinos / Stéphane Foenkinos

脚本: David Foenkinos

音楽: Émilie Simon

制作: Xavier Rigault / Marc-Antoine Robert

撮影監督: Rémy Chevrin

制作会社: StudioCanal / France 2 Cinéma / 2.4.7. Films

口コミ

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キャスト

オドレイ・トトゥ
オドレイ・トトゥ
Nathalie Kerr
François Damiens
François Damiens
Markus Lundell
Mélanie Bernier
Mélanie Bernier
Chloé, Nathalie's secretary
Joséphine de Meaux
Joséphine de Meaux
Sophie, Nathalie's best friend
Pio Marmaï
Pio Marmaï
François, Nathalie's husband
Bruno Todeschini
Bruno Todeschini
Charles Delamain
Marc Citti
Marc Citti
Pierre, Sophie's companion
Alexandre Pavloff
Alexandre Pavloff
Benoît, member of Nathalie's team
Monique Chaumette
Monique Chaumette
Madeleine, Nathalie's grandmother
Vittoria Scognamiglio
Vittoria Scognamiglio
François' mother

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

What I didn't quite get from this is why the recently bereaved "Nathalie" (Audrey Tautou) would have moved on from the cute and cuddly "François" (Pio Marmaï) to the rather stockily structured Swede "Markus" (François Damiens). Anyway, when the former man in her life goes for an ill-advised jog, she finds herself widowed, back at work and largely rudderless. Her boss (Bruno Todeschini) has always been keen, but she makes it rather abruptly (and entertainingly) clear that not even on a desert island. Then - well after about three years - she encounters her new Swedish colleague. She doesn't exactly mince her words (or actions) and that leaves him in a semi-pleasant state of confusion. To say she initially blows hot and cold would be an understatement, but as things settle down it might just prove possible that something substantial might happen between them - but first she must come to terms with, and try to deal with a grief that still lingers. Along the way, there are some entertaining swipes at the politics of the office and of friendships where opinions are never far away - wanted or otherwise. The denouement is a little quirky. It's not what I was expecting but did somehow top off this meringue of a film. It's got just enough of a frame to hold it together, but is pretty mushy underneath. Tautou has a charm about her - she reminds me slightly of Audrey Hepburn, and the direction allows her to present her characterisation engagingly as the essence of the film. Even though it's all a little listless at times, I did quite enjoy it.

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