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The Gentle Gunman
The Gentle Gunman

The Gentle Gunman

19521h 26m★ 6.2スリラードラマ犯罪

あらすじ

No synopsis available.

作品考察・見どころ

この映画の真髄は、暴力と信念の狭間で揺れ動く人間の葛藤を、冷徹かつ抒情的に描き出した点にあります。単なるスリラーの枠を超え、平和を願う良心と過激な理想に燃える若さの衝突が、重厚な心理ドラマとして展開されます。ジョン・ミルズの静かな苦悩と、ディルク・ボガードが放つ鋭利な熱演が火花を散らし、観る者の倫理観を激しく揺さぶります。 緻密な演出が冴える映像美は、逃れられぬ運命を際立たせ、暴力の連鎖を断ち切る勇気という普遍的テーマを提示します。大義のために銃を握る虚しさを問い直し、人間性の回復を謳う本作は、単なる犯罪劇には留まりません。緊迫感の中に魂の救済を描き切った、今こそ再評価されるべき至高の人間ドラマと言えるでしょう。

口コミ

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キャスト

John Mills
John Mills
Terence Sullivan
Dirk Bogarde
Dirk Bogarde
Matt Sullivan
Robert Beatty
Robert Beatty
Shinto
Elizabeth Sellars
Elizabeth Sellars
Maureen Fagan
Barbara Mullen
Barbara Mullen
Molly Fagan
Eddie Byrne
Eddie Byrne
Flynn
Joseph Tomelty
Joseph Tomelty
Dr Brannigan
No Image
Gilbert Harding
Henry Truethome
James Kenney
James Kenney
Johnny Fagan
Liam Redmond
Liam Redmond
Connolly

スタッフ・制作会社

監督: Basil Dearden

脚本: Roger MacDougall

音楽: John Greenwood

制作: Basil Dearden / Michael Relph

撮影監督: Gordon Dines

制作会社: Michael Balcon Productions / Ealing Studios / J. Arthur Rank Organisation

TMDB ユーザーのレビュー

John Chard
John Chard
★ 6

Ealing take on the Irish Troubles. Directed by Basil Dearden and adapted to screenplay from his own play by Roger MacDougal, The Gentle Gunman finds John Mills and Dirk Bogarde as brothers in the IRA circa 1941. Matt (Bogarde) is the young and hungry in the name of the cause brother, Terence (Mills) has grown tired of the violence and questions the IRA’s methods. This puts a strain on their relationship, whilst it also puts Terence on a collision course with the IRA superiors who brand him as a traitor. The Irish Troubles has never been an easy subject to broach in movies, the political stand point of the film makers invariably leaning towards bias. Whilst critics and reviewers have to battle with their own convictions when trying to stay firmly on the fence. The Gentle Gunman is an attempt at being an anti violence movie, one with a “gentle” pro British slant from that most British of film studios, Ealing. Unfortunately it’s tonally all over the place, awash with a mixed bunch of characters that range from apparent comic relief, to rabid Irish terrorists and a town crier like British bigot. Things are further put into the realm of the unbelievable by Mills and Bogarde trying to hold down Irish accents, a shame because without the fluctuation of the vocal chords the performances are rather good. It’s also a bit too stagey and the pace often drags itself into a stupor, making the adequate action scenes act more as a merciful release than anything truly exciting. On the plus side the film looks amazing at times, with Gordon Dines (The Blue Lamp) on cinematography dealing firmly in film noir filters. Which goes some way to explain how the film has come to be in a couple of reference books about British noir. But really it’s a marginal entry and all told it's just a routine drama from a Studio who were much better in other genre spheres. 6/10

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