FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

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20092h 7m★ 7.1ドラマロマンススリラー

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興行成績

製作費: $18,000,000 (27億円)

興行収入: $30,991,660 (46億円)

推定収支: $12,991,660 (19億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ペネロペ・クルス
ペネロペ・クルス
Lena
Lluís Homar
Lluís Homar
Mateo Blanco / Harry Caine
Blanca Portillo
Blanca Portillo
Judit García
José Luis Gómez
José Luis Gómez
Ernesto Martel
Rubén Ochandiano
Rubén Ochandiano
Ray X
Tamar Novas
Tamar Novas
Diego
Ángela Molina
Ángela Molina
Lena's Mother
Chus Lampreave
Chus Lampreave
Concierge
Kiti Mánver
Kiti Mánver
Madame Mylene
Lola Dueñas
Lola Dueñas
Lip Reader

スタッフ・制作会社

監督: ペドロ・アルモドバル

脚本: ペドロ・アルモドバル

音楽: アルベルト・イグレシアス

制作: Esther García / Agustín Almodóvar

撮影監督: ロドリゴ・プリエト

制作会社: El Deseo

TMDB ユーザーのレビュー

badelf
badelf
★ 7

Broken Embraces: Almodóvar's Hitchcockian Love Letter to Cinema In "Broken Embraces," Pedro Almodóvar doesn't so much break new ground as he refines the soil he has long cultivated. Following masterworks like "Talk to Her" and "Volver," this film represents not a revolution but an elegant culmination of the Spanish auteur's preoccupations, filtered through a distinctly Hitchcockian lens. The film unfolds as a complex origami of narrative, with time folding back upon itself to reveal the tragic love story between filmmaker Mateo Blanco and his muse Lena. Here, Almodóvar pays homage to Hitchcock's fascination with voyeurism, doomed romance, and the thin line between creation and destruction. The film's noir elements – jealousy, revenge, hidden identities – feel like deliberate nods to the Master of Suspense, yet remain unmistakably Almodóvarian in their execution. At the center of this kaleidoscopic narrative stands Penélope Cruz, delivering a performance of remarkable complexity. As Lena, she exists simultaneously as object and subject, victim and agent of her own destiny. Cruz accomplishes the seemingly impossible task of projecting emotional transparency while maintaining an enigmatic core – we feel we know Lena intimately yet remain haunted by her fundamental unknowability. It's a testament to Cruz's evolution as an actress under Almodóvar's guidance. The meta-cinematic aspects of "Broken Embraces" – the film-within-a-film, the exploration of directorial vision (and its literal loss), the power dynamics of the creative process – create a hall of mirrors where art and life endlessly reflect one another. Almodóvar seems to be commenting on his own relationship with cinema, suggesting that creation itself is a form of obsessive love. Visually, the film showcases Almodóvar's mastery of color symbolism and compositional precision. Each frame feels deliberately constructed, with his signature vibrant palette serving narrative purpose rather than mere aesthetic pleasure. The contrast between the warm, sensual tones of the love affair and the cooler, more austere palette of the aftermath tells its own emotional story. "Broken Embraces" may not represent a dramatic leap forward in Almodóvar's filmography, but it demonstrates something equally valuable: a master filmmaker confidently synthesizing his influences and obsessions into a work of surprising emotional resonance. Like Hitchcock's later films, it feels like the work of an artist less interested in shocking his audience than in revealing the profound mysteries that have always driven his creative vision.

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