FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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エイリアン4
エイリアン4

エイリアン4

19971h 47m★ 6.2サイエンスフィクションホラーアクション

あらすじ

前作の舞台、フューリー宇宙刑務所においてリプリーは、エイリアン・クイーンを体内に宿したまま溶鉱炉に身を投じ、永きに渡るエイリアンとの戦いに幕を下ろした。しかしそれから200年後、リプリーは軍の実験宇宙船「オーリガ」で、フューリーに残されていた血液から科学者らの手によりクローンとして再生される。その目的は、リプリーの体内に残されたエイリアン・クイーンの摘出であり、エイリアンを繁殖させて軍事兵器として利用することであった。

作品考察・見どころ

ジャン=ピエール・ジュネ監督が放つ本作は、シリーズ屈指の耽美な異色作です。クローンとして蘇ったリプリーの存在は、人間性と獣性の境界を曖昧にし、自己のアイデンティティを問いかけます。シガニー・ウィーバーの超然とした強さとウィノナ・ライダーの繊細さが、閉鎖空間で奇妙な詩情を紡ぎ出しています。 特筆すべきは、生命の悲哀を宿した造形美です。恐怖の象徴だったエイリアンが、歪んだ愛の対象へ変容する展開は衝撃的。新生命体が放つ孤独な眼差しは、観る者の倫理観を激しく揺さぶります。悪夢的な映像美に、生命の根源的な痛みを刻み込んだ唯一無二の傑作です。

興行成績

製作費: $70,000,000 (105億円)

興行収入: $162,000,000 (243億円)

推定収支: $92,000,000 (138億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

シガニー・ウィーバー
シガニー・ウィーバー
Ripley
ウィノナ・ライダー
ウィノナ・ライダー
Call
ドミニク・ピノン
ドミニク・ピノン
Vriess
ロン・パールマン
ロン・パールマン
Johner
ゲイリー・ドゥーダン
ゲイリー・ドゥーダン
Christie
マイケル・ウィンコット
マイケル・ウィンコット
Elgyn
Kim Flowers
Kim Flowers
Hillard
ダン・ヘダヤ
ダン・ヘダヤ
General Perez
J.E. Freeman
J.E. Freeman
Dr. Wren
Brad Dourif
Brad Dourif
Gediman

スタッフ・制作会社

監督: ジャン=ピエール・ジュネ

脚本: ダン・オバノン / ロナルド・シャセット / ジョス・ウェドン

音楽: John Frizzell

制作: ビル・バダラート / ゴードン・キャロル / ウォルター・ヒル

撮影監督: ダリウス・コンジ

制作会社: 20th Century Fox / Brandywine Productions

TMDB ユーザーのレビュー

John Chard
John Chard
★ 6

Let sleeping dogs lie? Directed by Jean-Pierre Jeunet, the makers here basically stick safe to the formula of the series. This time it's a space station with space pirates and a cloned Ripley (Siggy Weaver of course) - yes! A cloned Ripley, only this time she's devoid of human compassion - kind of... The gore quota is significantly upped, which makes for some serious sci-fi terror, and some of the imagery crafted is outstanding (a clone lab sequence is shatteringly unforgettable). A tip top cast featuring Ron Perlman, Michael Wincott, Brad Dourif, Dan Hedaya and Winona Ryder, all give good shows, whilst the photography (Darius Khondji/Se7en) and art design (Steve Cooper, Andrew Neskoromny and John M. Dwyer) takes the breath away. Yet come the final straight it loses its way, sinking into a mire of over confidence, topped by a crown of thorns involving an albino baby alien hybrid. Shame that. 6.5/10

bestchallenger
bestchallenger
★ 5

A pretty average movie, specially compared to the previous installments in the Alien franchise (even Alien 3). The plot sometimes gets very confusing and none of the characters are memorable. Some of them are even rather cartoonish. The movie seems like a cheat attempt at cash crab, by using a known franchise. I would recommend watching if you are a fan or are looking for a mediocre action/horror movie to watch with friends.

Wuchak
Wuchak
★ 6

_**A combo of the first three with a couple fresh ideas**_ Two hundred years after Ripley’s death in the previous film (Sigourney Weaver), she wakes up as a clone in a space station, which also serves as a colossal vessel. Scientists there are experimenting with xenomorph/human eugenics to create, I guess, the ultimate living weapon. Meanwhile a ship of smugglers visits the station when (big surprise) the aliens escape captivity. Winona Ryder and Ron Perlman play space pirates while Dominique Pinon and Michael Wincott are leaders at the station. Brad Dourif is on hand as a scientist. "Alien Resurrection" (1997) is the fourth film in the series and combines elements of the previous three while throwing in a couple of new things. The diverse cast is great but I started to get bored by the end of the first act. Thankfully, the movie perks up with an outstanding underwater sequence that recalls “The Poseidon Adventure” (1972), albeit more amped up. The peripheral cast is highlighted by the voluptuous Kim Flowers as Hillard and the formidable Gary Dourdan as Christie. But you just know they’re the equivalent of red shirts in Star Trek. If you’ve seen the first three entries, there’s no pressing reason to see this one. It has a been-there-done-that vibe. However, if you appreciate those films and want more of the same with a new cast, “Alien Resurrection” is well done for what it is, proficient sci-fi/horror. Armchair critics have been too hard on it. While it lacks the mystery of the first movie and the suspense & utter horror of the second, it has more pizazz than the relatively subdued third installment. The film runs 1 hour, 48 minutes. GRADE: B-/B

r96sk
r96sk
★ 8

Super fun! I wasn't expecting <em>'Alien Resurrection'</em> to come out better than <em>'Alien³'</em>. Sure, this 1997 flick isn't as great as <em>'Alien'</em> and <em>'Aliens'</em> but I honestly wouldn't put it that far off. I really enjoyed it, cracking action coupled with a great cast. Sigourney Weaver as Ellen Ripley is a pleasure as always, meanwhile this is the most I enjoyed a support cast from the franchise. Winona Ryder, Ron Perlman, Brad Dourif, Raymond Cruz, Gary Dourdan and Michael Wincott all have positive moments. Not the franchise's best, yet arguably its most entertaining. ¯\_(ツ)_/¯

CinemaSerf
CinemaSerf
★ 6

At the end of the last film, we see "Ripley" (Sigourney Weaver) fall headline into a vat of what looks like molten lava, clutching her newborn - determined that neither shall survive. Well, luckily for all concerned, technology roars ahead and 200 years afterwards we have somehow managed to clone her - and her baby. Military plans for the killer beasties are the reason, but as we all know by now - nature finds a way, and after some dodgy DNA sequencing, they face an enemy that presents a terrifying hybrid of alien and human that could threaten Earth itself. It is up to her, whom the aliens still think is one of then, and a disparate bunch of space pirates to try to thwart the creatures - and to survive! This offers quite a shocking indictment of just how state-sponsored science, coupled with militaristic aspirations can lead to some hideous creations but aside from that rather obvious moral imperative, the rest of this is pretty routine. There is no shock left for us to feel; we have seen it all before and just like last time, the folks getting gobbled up are largely deserving of their fates. Winona Ryder's ("Call") adds a little quirkiness to the plot later on, but otherwise this is all just completely forgettable, churned out sci-fi that, though quite quickly paced and complete with some great special effects, offers nothing new.

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