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AIが作品の魅力を深く読み解いています
製作費: $4,100,000 (6億円)
興行収入: $20,000,000 (30億円)
推定収支: $15,900,000 (24億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Charles Vidor
脚本: Ben Hecht / Ernest Hemingway / Laurence Stallings
音楽: Mario Nascimbene
撮影監督: Piero Portalupi / Oswald Morris
It was always going to be hard enough to adapt this novel for the screen, and given Gary Cooper did an OK job with it in 1932, I am not quite sure why David O. Selznick concluded that is might be a ripe vehicle for Rock Hudson to reprise. He is the American "Lt. Henry" serving in Italy during the Great War when he meets British nurse "Catherine" (Jennifer Jones). They take an immediate shine to each other but needless to say the War has no time to stop and indulge their affection and the film follows the ups and downs as they try to stay alive and, ultimately, make it to safety with their as yet unborn child. The thing with Hemingway stories, I found, is that they rarely work on a big screen. They are detailed, descriptive and requiring of the reader to use their imagination to create the scenario that's all too easily replaced by the visuals here. That also requires the actors to deliver strong and intricate characterisations that deal with their own issues, sure, but with the issues of loyalty, of professionalism and of tough choices made amidst the atrocities of conflict. Neither of these two here have the gravitas to do those complexities justice and that frequently turns this gripping wartime romance into a not so gripping romance set amidst a war. There is quite an engaging effort from Vittorio De Rica as the inspirational surgeon "Rinaldi" and Elaine Stritch is also to be seen here before she became a lady who lunched. The film looks good, the wartime imagery potent and at times we get a little indication of the true horrors of this war, and of the strains it put on people both in and out of the military, but there's no getting away from the weak and rather insipid casting. Pity!
