FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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シニアイヤー
シニアイヤー

シニアイヤー

20221h 54m★ 5.9コメディ

あらすじ

チアリーディング中の事故でこん睡状態に陥った女子高生が、20年後に覚醒。37歳にして再び高校生となった彼女は、今度こそプロムの女王になれるのか?!

作品考察・見どころ

本作の真髄は、20年の眠りから覚めた主人公が直面する価値観の断絶を、レベル・ウィルソンが圧倒的熱量で体現した点にあります。ゼロ年代の野心的な学園文化と現代の多様性。二つの時代を衝突させ、単なるコメディを超えた鋭い社会考察と全世代が共感できる成長の物語を見事に融合しています。 見どころは、過去への執着を脱ぎ捨て「本当の自分」を再定義するプロセスです。派手な演出の裏には、失われた時間への葛藤を乗り越える力強い肯定のメッセージが息づいています。自分らしく生きる勇気を与える、エネルギッシュで愛に満ちた再生の賛歌です。

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Netflix
Netflix Standard with Ads

予告・トレイラー

配信サービス

サブスクリプション

Netflix
Netflix Standard with Ads

キャスト

レベル・ウィルソン
レベル・ウィルソン
Stephanie Conway
サム・リチャードソン
サム・リチャードソン
Seth Novacelik
Zoë Chao
Zoë Chao
Tiffany Blanchette-Balbo
Mary Holland
Mary Holland
Martha Reiser
Justin Hartley
Justin Hartley
Blaine Balbo
クリス・パーネル
クリス・パーネル
Jim Conway
アンガーリー・ライス
アンガーリー・ライス
Young Stephanie Conway
Molly Brown
Molly Brown
Young Martha Reiser
Zaire Adams
Zaire Adams
Young Seth Novacelik
Ana Yi Puig
Ana Yi Puig
Young Tiffany Blanchette

スタッフ・制作会社

監督: Alex Hardcastle

脚本: Brandon Scott Jones / Andrew Knauer / Arthur Pielli

音楽: Jermaine Stegall

制作: Chris Bender / Jake Wagner / レベル・ウィルソン

撮影監督: Marco Fargnoli

制作会社: Paramount Players / Broken Road Productions / Camp Sugar

TMDB ユーザーのレビュー

Filipe Manuel Neto
Filipe Manuel Neto
★ 9

**A very good comedy and generally palatable to almost everyone.** I just finished watching this movie with a friend of mine, and we were both pleased with what we saw. The film is an excellent comedy that manages to reach two different audiences: today's youth and their parents, who were young twenty years ago, because it makes direct allusions to various cultural elements that were very familiar to them. Personally, I was still very young in 2002, I was about to enter adolescence, but I was also touched by some nostalgic aspects. The script is reasonably simple, but it works well: it all starts with Stephanie, and the way she decides to become popular and accepted after being snubbed at school. Things go well, and she becomes the archetype of the perfect teenager: sexy, blonde, cheerleader, sexually expedite, with an enviable boyfriend and a promising future. The icing on the cake was going to be her election as High School Prom Queen, and a massive after-party, complete with loss of virginity. It didn't happen: in an elaborate dance choreography, and by the work of a rival, she falls and ends up hospitalized, in a coma, for twenty years. In 2022, at last, she wakes up to a horrible reality: her body has changed, life has passed, her boyfriend married her rival, she is not the same and has nothing of what she wanted. So, she decides to go back to the High School, finish what she started and be Prom Queen… but the School has abolished that! The script seeks to include a series of cultural allusions to the 90s and 2000s, ranging from films and series (_Sex and the City_, _Deep Impact_, _Aly McBeal_, _Clueless_), songs and musical artists (Britney Spears, Madonna, Mandy Moore) and objects of fashion and mass culture (the Tamagotchi, for example). We, who saw ourselves as teenagers between 2000 and 2010, know these things well, they were our fads and fashions. The film also criticizes the way today's youth view social and environmental causes, virtual life and social networks. In fact, it is easy to lose sight of reality when we have Instagram and Facebook full of thousands of friends and followers, and the film criticizes the young people who spend most of their time on these networks and the “influencers” who earn a lot of money at the expense of them, in addition to making jokes about the insincere way in which many young people face environmental and ecological causes, which they follow out for fashion and not because they are really aware of their importance. The film is very inclusive, and there are several characters that are of diverse ethnicities or homosexuals, explicitly or implicitly. This is something that Hollywood have been insisting on a lot after the Me Too movement and the Oscar boycott by black actors a few years ago, and I understand, although I don't like to see films used for political and social activism. The cast has a powerful Rebel Williams in the lead role. She is not a rookie actress and has already shown us what she can do in other comedies like _Hustle_ or in dance movies like _Pitch Perfect_, and I daresay she is one of the most promising faces of Australian comedy this year. time. The film also features excellent guest appearances by Justin Hartley, Sam Richardson, Zoe Chao, Mary Holland and Chris Parnell. They each did their work very hard, and Chao, Richardson and Holland deserve special praise. As for the younger cast, I would highlight the good performance of Angourie Rice and also Jade Bender. The film also has a cameo by Alicia Silverstone, who has made similar films in her past, as we all know. Technically, the film appears to be very low-key, overall. The cinematography is regular, there are no major visual gimmicks and the camera opts for a conventional shooting style. Filmed in Georgia but set in Maryland, the film chose its filming locations well and builds many of its sets over green screen, in high-quality, expensive CGI animation. The soundtrack makes good use of popular pop songs, in recognizable voices, and there are some very good dance routines where Williams shines.

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