87分の1の人生
あらすじ
ダニエルは、前途有望な若き女性アリソンが起こした想像を絶する悲劇の中で娘を失ってしまった。２人は許しを経て、友情を育み、共に希望を見つけていく。
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
興行収入: $2,196,991 (3億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
ダニエルは、前途有望な若き女性アリソンが起こした想像を絶する悲劇の中で娘を失ってしまった。２人は許しを経て、友情を育み、共に希望を見つけていく。
AIが作品の魅力を深く読み解いています
興行収入: $2,196,991 (3億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ザック・ブラフ
脚本: ザック・ブラフ
音楽: Bryce Dessner
制作: パメラ・コフラー / Noah Segal / クリスティーン・ヴェイコン
撮影監督: Mauro Fiore
制作会社: Killer Films / Elevation Pictures / RocketScience
"Alison" (Florence Pugh) is happily engaged to "Nathan" (Chinaza Uche) until a tragic accident takes place whilst she is driving and, one year later, we discover that it's all change. She is struggling to come to terms with the incident and has developed a dependancy on prescription pain killers. Her mother (Molly Shannon) and her friends are at the end of their tethers and hope that maybe a meeting of AA might offer her some hope. It's at this meeting that she re-encounters her would-be father-in-law, and ex-cop, "Daniel" (Morgan Freeman) and we begin to fill in the gaps and start to comprehend just what has driven all of the parties to their current predicaments. Pugh never does anything half-heartedly, and she doesn't here either - but the story is weak and, for me, all just a little over-dramatic. The rather retrospective style of story telling leaves way too many gaps and the crises seem just a bit too contrived to be convincing. "Alison" is easily the most interesting of the characters, but she is also easily the most irritating, selfish and I found the lack of substance to the plot just made it harder to be sympathetic to her (or, for that matter, to "Daniel" or "Nathan"). It tries to deal with some serious and heart-rending topics, but Zach Braff seems content with offering a strongly performed but superficially presented, overly simplistic, melodrama here that I thought rather wasted the talent at his disposal. There are also far too many dreary guitar ballads that seems to step up where the writers suffer from a dearth of ideas. It's watchable, but not great.
