カーター
あらすじ
韓国と北朝鮮の軍事境界線で発生したDMZウイルスが蔓延し、アメリカと北朝鮮が壊滅的な被害を受けた。 そんな中、記憶を失った男・カーターがCIAエージェントに取り囲まれた状態で目を覚ます。 カーターは頭部に謎のデバイスを埋め込まれており、耳に仕掛けられた通信機から聞こえる女の指示に従ってその場を脱出。
韓国と北朝鮮の軍事境界線で発生したDMZウイルスが蔓延し、アメリカと北朝鮮が壊滅的な被害を受けた。 そんな中、記憶を失った男・カーターがCIAエージェントに取り囲まれた状態で目を覚ます。 カーターは頭部に謎のデバイスを埋め込まれており、耳に仕掛けられた通信機から聞こえる女の指示に従ってその場を脱出。
Carter (or rather: Kato) tries to present itself as a one-shot-film, but it is not quite the Korean Hardcore Henry. There is little effort hiding the supposedly invisible cuts, of which there are *many*. The ever-flying shaky camera drone is busy, as are the very dedicated stunt people, and the soros of CGI. The plot is... and illogical mix of something even C-grade video games wouldn't dare to use; the upside of which is that it is unpredictable. Three secret agencies, an coup, implanted devices, fast Zombies, save-the-daughter, some Total Recall, Indiana Jones, and Blood Red Sky, with a hint of Extraction and James Bond. Bullet-proof pigs I'm OK with, infinite ammo magazines we all know - but flea-like zombies, the free fall fight, and the CGI fires are hilarious. Or bad, depending on your expectations. Apply *plenty* Suspension of Disbelief to be entertained. Warning, not suitable for fragile Americans: Aside from lots of gory violence, there's also brief frontal nudity, and we know you're easily scared by asian genitalia.
Gratuitous hyper violence eye candy!
For me, Carter feels like a Hardcore Henry re-mix, with a Korean flavour. This is run and gun, beat em, cut em up, style of film, with a video game vibe. It worked with Hardcore Henry but somehow this one just doesn't quite pull it off. I think part of the reason for that is unlike Hardcore Henry, its not quite as well paced or polished. Its back story is a bit thin too, not really adding much to the proposition. The result feels somewhat aimless and a little bland. In short, moderately watchable but fizzles when it needs to burn.
